The Red Wheelbarrow: William Carlos Williams

so much depends
upon

 

a red wheel
barrow

 

glazed with rain
water

 

beside the white
chickens

Flowers by the Sea: William Carlos Williams

When over the flowery, sharp pasture’s
edge, unseen, the salt ocean

 

lifts its form—chicory and daisies
tied, released, seem hardly flowers alone
but color and the movement—or the shape
perhaps—of restlessness, whereas

 

the sea is circled and sways
peacefully upon its plantlike stem

Sonnet in Search of an Author: William Carlos Williams

Nude bodies like peeled logs
sometimes give off a sweetest
odor, man and woman

 

under the trees in full excess
matching the cushion of

 

aromatic pine-drift fallen
threaded with trailing woodbine
a sonnet might be made of it

 

Might be made of it! odor of excess
odor of pine needles, odor of
peeled logs, odor of no odor
other than trailing woodbine that

 

has no odor, odor of a nude woman
sometimes, odor of a man.

Sea Poppies: H.D.

Amber husk
fluted with gold,
fruit on the sand
marked with a rich grain,

 

treasure
spilled near the shrub-pines
to bleach on the boulders:

 

your stalk has caught root
among wet pebbles
and drift flung by the sea
and grated shells
and split conch-shells.

 

Beautiful, wide-spread,
fire upon leaf,
what meadow yields
so fragrant a leaf
as your bright leaf?

Wash of Cold River: H.D.

Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;

 

wind-flower
that keeps the breath
of the north-wind—
these and none other;

 

intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
that I would take
to mould a clear
and frigid statue;

 

rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.

Eurydice: H.D.

I

 

So you have swept me back,
I who could have walked with the live souls
above the earth,
I who could have slept among the live flowers
at last;

 

so for your arrogance
and your ruthlessness
I am swept back
where dead lichens drip
dead cinders upon moss of ash;

 

so for your arrogance
I am broken at last,
I who had lived unconscious,
who was almost forgot;

 

if you had let me wait
I had grown from listlessness
into peace,
if you had let me rest with the dead,
I had forgot you
and the past.

 

                               II
Here only flame upon flame
and black among the red sparks,
streaks of black and light
grown colourless;

 

why did you turn back,
that hell should be reinhabited
of myself thus
swept into nothingness?

 

why did you glance back?
why did you hesitate for that moment?
why did you bend your face
caught with the flame of the upper earth,
above my face?

 

what was it that crossed my face
with the light from yours
and your glance?
what was it you saw in my face?
the light of your own face,
the fire of your own presence?

 

What had my face to offer
but reflex of the earth,
hyacinth colour
caught from the raw fissure in the rock
where the light struck,
and the colour of azure crocuses
and the bright surface of gold crocuses
and of the wind-flower,
swift in its veins as lightning
and as white.

 

                               III
Saffron from the fringe of the earth,
wild saffron that has bent
over the sharp edge of earth,
all the flowers that cut through the earth,
all, all the flowers are lost;

 

everything is lost,
everything is crossed with black,
black upon black
and worse than black,
this colourless light.

 

                               IV
Fringe upon fringe
of blue crocuses,
crocuses, walled against blue of themselves,
blue of that upper earth,
blue of the depth upon depth of flowers,
lost;

 

flowers,
if I could have taken once my breath of them,
enough of them,
more than earth,
even than of the upper earth,
had passed with me
beneath the earth;

 

if I could have caught up from the earth,
the whole of the flowers of the earth,
if once I could have breathed into myself
the very golden crocuses
and the red,
and the very golden hearts of the first saffron,
the whole of the golden mass,
the whole of the great fragrance,
I could have dared the loss.

 

                              V
So for your arrogance
and your ruthlessness
I have lost the earth
and the flowers of the earth,
and the live souls above the earth,
and you who passed across the light
and reached
ruthless;

 

you who have your own light,
who are to yourself a presence,
who need no presence;

 

yet for all your arrogance
and your glance,
I tell you this:

 

such loss is no loss,
such terror, such coils and strands and pitfalls
of blackness,
such terror
is no loss;

 

hell is no worse than your earth
above the earth,
hell is no worse,
no, nor your flowers
nor your veins of light
nor your presence,
a loss;

 

my hell is no worse than yours
though you pass among the flowers and speak
with the spirits above earth.

 

                               VI
Against the black
I have more fervour
than you in all the splendour of that place,
against the blackness
and the stark grey
I have more light;

 

and the flowers,
if I should tell you,
you would turn from your own fit paths
toward hell,
turn again and glance back
and I would sink into a place
even more terrible than this.

 

                              VII
At least I have the flowers of myself,
and my thoughts, no god
can take that;
I have the fervour of myself for a presence
and my own spirit for light;

 

and my spirit with its loss
knows this;
though small against the black,
small against the formless rocks,
hell must break before I am lost;

 

before I am lost,
hell must open like a red rose
for the dead to pass.

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Reading Voice: an Introduction to Lyric Poetry Copyright © by Emily Barth is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.

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