Couplets often rhyme, but they don’t need to – nor do they need to be in particular rhythm. The couplet, rather, functions as a unit to hold a thought together.
Symptoms of Prophecy: Camille Rankine
In the new century,
we lose the art of many things.
For example, at the beep, I communicate
using the wrong machine.
I called to say we have two lives
and only one of them is real.
When the phone rings: you could be anybody.
In the evening: you are homeless
and hunting for good light, as safe a place
as any to make a bed for the night.
In both my lives, my nerves go bust.
I’m certain that I’m not
as I appear, that I’m a figment and
you’re not really here.
The struggle
is authenticity.
I have a message.
You must believe me.
On Imagination: Phillis Wheatley
Thy various works, imperial queen, we see,
How bright their forms! how deck’d with pomp by thee!
Thy wond’rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon’s refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov’d object strikes her wand’ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th’ empyreal palace of the thund’ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th’ unbounded soul.
Though Winter frowns to Fancy’s raptur’d eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o’er the sands.
Fair Flora may resume her fragrant reign,
And with her flow’ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown’d:
Show’rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow’r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o’er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov’reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th’ expanse on high:
From Tithon’s bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o’erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;
They chill the tides of Fancy’s flowing sea,
Cease then, my song, cease the unequal lay.
Prologue: Anne Bradstreet
To sing of Wars, of Captains, and of Kings,
Of Cities founded, Common-wealths begun,
For my mean Pen are too superior things;
Or how they all, or each their dates have run,
Let Poets and Historians set these forth.
My obscure lines shall not so dim their worth.
But when my wond’ring eyes and envious heart
Great Bartas’ sugar’d lines do but read o’er,
Fool, I do grudge the Muses did not part
‘Twixt him and me that over-fluent store.
A Bartas can do what a Bartas will
But simple I according to my skill.
From School-boy’s tongue no Rhet’ric we expect,
Nor yet a sweet Consort from broken strings,
Nor perfect beauty where’s a main defect.
My foolish, broken, blemished Muse so sings,
And this to mend, alas, no Art is able,
‘Cause Nature made it so irreparable.
Nor can I, like that fluent sweet-tongued Greek
Who lisp’d at first, in future times speak plain.
By Art he gladly found what he did seek,
A full requital of his striving pain.
Art can do much, but this maxim’s most sure:
A weak or wounded brain admits no cure.
I am obnoxious to each carping tongue
Who says my hand a needle better fits.
A Poet’s Pen all scorn I should thus wrong,
For such despite they cast on female wits.
If what I do prove well, it won’t advance,
They’ll say it’s stol’n, or else it was by chance.
But sure the antique Greeks were far more mild,
Else of our Sex, why feigned they those nine
And poesy made Calliope’s own child?
So ‘mongst the rest they placed the Arts divine,
But this weak knot they will full soon untie.
The Greeks did nought but play the fools and lie.
Let Greeks be Greeks, and Women what they are.
Men have precedency and still excel;
It is but vain unjustly to wage war.
Men can do best, and Women know it well.
Preeminence in all and each is yours;
Yet grant some small acknowledgement of ours.
And oh ye high flown quills that soar the skies,
And ever with your prey still catch your praise,
If e’er you deign these lowly lines your eyes,
Give thyme or Parsley wreath, I ask no Bays.
This mean and unrefined ore of mine
Will make your glist’ring gold but more to shine.
In Reference to her Children, 23 June 1659: Anne Bradstreet
I had eight birds hatcht in one nest,
Four Cocks were there, and Hens the rest.
I nurst them up with pain and care,
No cost nor labour did I spare
Till at the last they felt their wing,
Mounted the Trees and learned to sing.
Chief of the Brood then took his flight
To Regions far and left me quite.
My mournful chirps I after send
Till he return, or I do end.
Leave not thy nest, thy Dame and Sire,
Fly back and sing amidst this Quire.
My second bird did take her flight
And with her mate flew out of sight.
Southward they both their course did bend,
And Seasons twain they there did spend,
Till after blown by Southern gales
They Norward steer’d with filled sails.
A prettier bird was no where seen,
Along the Beach, among the treen.
I have a third of colour white
On whom I plac’d no small delight,
Coupled with mate loving and true,
Hath also bid her Dame adieu.
And where Aurora first appears,
She now hath percht to spend her years.
One to the Academy flew
To chat among that learned crew.
Ambition moves still in his breast
That he might chant above the rest,
Striving for more than to do well,
That nightingales he might excell.
My fifth, whose down is yet scarce gone,
Is ‘mongst the shrubs and bushes flown
And as his wings increase in strength
On higher boughs he’ll perch at length.
My other three still with me nest
Until they’re grown, then as the rest,
Or here or there, they’ll take their flight,
As is ordain’d, so shall they light.
If birds could weep, then would my tears
Let others know what are my fears
Lest this my brood some harm should catch
And be surpris’d for want of watch
Whilst pecking corn and void of care
They fall un’wares in Fowler’s snare;
Or whilst on trees they sit and sing
Some untoward boy at them do fling,
Or whilst allur’d with bell and glass
The net be spread and caught, alas;
Or lest by Lime-twigs they be foil’d;
Or by some greedy hawks be spoil’d.
O would, my young, ye saw my breast
And knew what thoughts there sadly rest.
Great was my pain when I you bred,
Great was my care when I you fed.
Long did I keep you soft and warm
And with my wings kept off all harm.
My cares are more, and fears, than ever,
My throbs such now as ‘fore were never.
Alas, my birds, you wisdom want
Of perils you are ignorant.
Oft times in grass, on trees, in flight,
Sore accidents on you may light.
O to your safety have an eye,
So happy may you live and die.
Mean while, my days in tunes I’ll spend
Till my weak lays with me shall end.
In shady woods I’ll sit and sing
And things that past, to mind I’ll bring.
Once young and pleasant, as are you,
But former toys (no joys) adieu!
My age I will not once lament
But sing, my time so near is spent,
And from the top bough take my flight
Into a country beyond sight
Where old ones instantly grow young
And there with seraphims set song.
No seasons cold, nor storms they see
But spring lasts to eternity.
When each of you shall in your nest
Among your young ones take your rest,
In chirping languages oft them tell
You had a Dame that lov’d you well,
That did what could be done for young
And nurst you up till you were strong
And ‘fore she once would let you fly
She shew’d you joy and misery,
Taught what was good, and what was ill,
What would save life, and what would kill.
Thus gone, amongst you I may live,
And dead, yet speak and counsel give.
Farewell, my birds, farewell, adieu,
I happy am, if well with you.
