Upon the Death of My Deare and Lovely Daughter J. P. Jane Pulter, Baptized May 1 1625 and Died Oct 8 1646 Aet. 20: Hester Pulter

All you that have indulgent Parents been
And have your Children in perfection seen
Of youth and beuty; lend one Teare to mee
And trust mee I will doe as much for thee
Unlesse my own griefe do exhaust my store
Then will I sigh till I suspire noe more
Twice hath the earth Thrown Cloris Mantle by
Imbroidered or’e with Curious Tapestry
And twice hath seem’d to mourn unto our sight
Like Jewes, or Chinesses in snowey white
Since shee laid down her milkey limbs on Earth
Which dying gave her virgin Soule new birth
Yet still my heart is overwhelm’d with griefe
And tears (helas) gives Sorrow, noe reliefe
Twice hath sad Philomele left of to sing
Her mortifying sonnets to the Spring
Twice at the Silvian choristers desire
Shee hath lent her Musick to compleat theire Quire
Since al devouring Death on her took seasure
And Tellys Wombe involv’d soe rich a Tresure.
Yet styl my heart is overwhelm’d with griefe
And time nor teares will give my woes reliefe
Twelve times hath Phoebe horned seemed to fight
As often fil’d them with her Brothers light
Since shee did close her sparkling Diamond eyes
Yet my sad Heart for her still pineing Dies
Through the Twelve houses the illustrious Sun
With splendentie his Annuall Jorney Run
Twice hath his firey furious horses Hurld
His blazeing Chariots to the Lower World
Shewing his luster to the wondring eyes
Of our (now soe well known) Antipodies
Since the brack of her spotles virgin story
Which now her soule doth end in endles Glory.
Yet my aflicted sad forsaken soule
For her in tears and Ashes still doth Rowle
O could a fevour spot her snowey skin
Whose Virgin soule was scarcely soyld with sin
Aye mee it did, soe have I sometimes seene
Faire Maydens sit incircled on a green
White lillies spread when they were making Poses
Upon them scatter leaves of Damask Roses
E’ne soe the spots upon her faire skin shows
Like Lilly leaves sprinkled with Damask Rose
Or as a stately Hert to Death pursued
By Ravening Hounds his eyes with tears bedewed
An Arrow sticking in his trembling breast
Her lost condition to the life exprest
Soe trips hee or’e the Lawns on trodden snow
And from his side his guiltles blood doth flow
[Soe did the spots upon her faire skin shew
Like drops of blood upon unsullied snow]
But what a heart had I, when I did stand
Holding her forehead with my Trembling hand
My Heart to Heaven with her bright Spirit flyes
Whilst shee (ah mee) closed up her lovely eyes
Her soule being seated in her place of birth
I turnd a Niobe as shee turn’d earth.

In Memory of F. P. who died at Acton on the 24 of May, 1660, at Twelve and an Half of Age *: Katherine Phillips

IF I could ever write a lasting verse,
It should be laid, dear Saint, upon thy hearse.
But Sorrow is no Muse, and does confess,
That it least can, what it would most express.
Yet that I may some bounds to Grief allow,
I’ll try if I can weep in numbers now.
Ah, beauteous blossom, too untimely dead!
Whither, ah, whither is thy sweetness fled?
Where are the charms that always did arise
From the prevailing language of thy eyes?
Where is thy beauteous and lovely mien,
And all the wonders that in thee were seen?
Alas! in vain, in vain on thee I rave;
There is no pity in the stupid grave.
But so the bankrupt sitting on the brim
Of those fierce billows which had ruin’d him,
Begs for his lost estate, and does complain
To the inexorable floods in vain.
As well we may enquire when roses die,
To what retirement their sweet odours fly;
Whither their virtues and their blushes haste,
When the short triumph of their life is past;
Or call their perishing beauties back with tears,
As add one moment to thy finish’d years.
No, thou art gone, and thy presaging mind
So thriftily thy early hours design’d,
That hasty Death was baffled in his pride,
Since nothing of thee but thy body di’d.
Thy soul was up betimes, and so concern’d
To grasp all excellence that could be learn’d,
That finding nothing fill her thirsting here,
To the spring-head she went to quench it there;
And so prepar’d, that being freed from sin
She quickly might become a Cherubin.
Thou wert all Soul, and through thy eyes it shin’d:
Asham’d and angry to be so confin’d,
It long’d to be uncag’d, and thither flown
Where it might know as clearly as ’twas known.
In these vast hopes we might thy change have found,
But that Heav’n blinds whom it decrees to wound.
For parts so soon at so sublime a pitch,
A judgement so mature, fancy so rich,
Never appear unto unthankful Men,
But as a vision to be hid again.
So glorious scenes in masques, spectators view
With the short pleasure of an hour or two;
But that once past, the ornaments are gone,
The lights extinguish’d, and the curtains drawn.
Yet all these gifts were thy less noble part,
Nor was thy head so worthy as thy heart;
Where the Divine Impression shin’d so clear,
As snatch’d thee hence, and yet endear’d thee here:
For what in thee did most command our love,
Was both the cause and sign of thy remove.
Such fools are we, so fatally we choose,
That what we most would keep, we soonest lose.
The humble greatness of thy pious thought,
Sweetness unforc’d, and bashfulness untaught,
The native candour of thine open breast,
And all the beams wherein thy worth was drest,
Thy wit so bright, so piercing and immense,
Adorn’d with wise and lovely innocence,
Might have foretold thou wert not so complete,
But that our joy might be as short as great.
So the poor swain beholds his ripen’d corn
By some rough wind without a sickle torn.
Never, ah! never let sad parents guess
At one remove of future happiness:
But reckon children ‘mong those passing joys,
Which one hour gives, and the next hour destroys.
Alas! we were secure of our content;
But find too late that it was only lent,
To be a mirror wherein we may see
How frail we are, how spotless we should be.
But if to thy blest soul my grief appears,
Forgive and pity these injurious tears:
Impute them to Affection’s sad excess,
Which will not yield to Nature’s tenderness,
Since ’twas through dearest ties and highest trust
Continued from thy cradle to thy dust;
And so rewarded and confirm’d by thine,
That (woe is me!) I thought thee too much mine.
But I’ll resign, and follow thee as fast
As my unhappy minutes will make haste.
Till when the fresh remembrances of thee
Shall be my Emblems of Mortality.
For such a loss as this (bright Soul!) is not
Ever to be repaired, or forgot.

Lycidas: John Milton

Yet once more, O ye laurels, and once more
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forc’d fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his wat’ry bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
      Begin then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse!
So may some gentle muse
With lucky words favour my destin’d urn,
And as he passes turn
And bid fair peace be to my sable shroud!
      For we were nurs’d upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appear’d
Under the opening eyelids of the morn,
We drove afield, and both together heard
What time the gray-fly winds her sultry horn,
Batt’ning our flocks with the fresh dews of night,
Oft till the star that rose at ev’ning bright
Toward heav’n’s descent had slop’d his westering wheel.
Meanwhile the rural ditties were not mute,
Temper’d to th’oaten flute;
Rough Satyrs danc’d, and Fauns with clov’n heel,
From the glad sound would not be absent long;
And old Damætas lov’d to hear our song.
      But O the heavy change now thou art gone,
Now thou art gone, and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes mourn.
The willows and the hazel copses green
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers that their gay wardrobe wear
When first the white thorn blows:
Such, Lycidas, thy loss to shepherd’s ear.
      Where were ye, Nymphs, when the remorseless deep
Clos’d o’er the head of your lov’d Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
Had ye bin there’—for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When by the rout that made the hideous roar
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
      Alas! what boots it with incessant care
To tend the homely, slighted shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neæra’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th’abhorred shears,
And slits the thin-spun life. “But not the praise,”
Phoebus replied, and touch’d my trembling ears;
“Fame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to th’world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in Heav’n expect thy meed.”
      O fountain Arethuse, and thou honour’d flood,
Smooth-sliding Mincius, crown’d with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He ask’d the waves, and ask’d the felon winds,
“What hard mishap hath doom’d this gentle swain?”
And question’d every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon stray’d;
The air was calm, and on the level brine
Sleek Panope with all her sisters play’d.
It was that fatal and perfidious bark,
Built in th’eclipse, and rigg’d with curses dark,
That sunk so low that sacred head of thine.
      Next Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscrib’d with woe.
“Ah! who hath reft,” quoth he, “my dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean lake;
Two massy keys he bore of metals twain
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:
“How well could I have spar’d for thee, young swain,
Enow of such as for their bellies’ sake
Creep and intrude, and climb into the fold?
Of other care they little reck’ning make
Than how to scramble at the shearers’ feast
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learn’d aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped;
And when they list their lean and flashy songs
Grate on their scrannel pipes of wretched straw,
The hungry sheep look up, and are not fed,
But, swoll’n with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said,
But that two-handed engine at the door
Stands ready to smite once, and smite no more”.
      Return, Alpheus: the dread voice is past
That shrunk thy streams; return, Sicilian Muse,
And call the vales and bid them hither cast
Their bells and flow’rets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamel’d eyes,
That on the green turf suck the honied showers
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freak’d with jet,
The glowing violet,
The musk-rose, and the well attir’d woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so to interpose a little ease,
Let our frail thoughts dally with false surmise.
Ay me! Whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurl’d;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world,
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great vision of the guarded mount
Looks toward Namancos and Bayona’s hold:
Look homeward Angel now, and melt with ruth;
And, O ye dolphins, waft the hapless youth.
      Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the wat’ry floor;
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high
Through the dear might of him that walk’d the waves;
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more:
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
      Thus sang the uncouth swain to th’oaks and rills,
While the still morn went out with sandals gray;
He touch’d the tender stops of various quills,
With eager thought warbling his Doric lay;
And now the sun had stretch’d out all the hills,
And now was dropp’d into the western bay;
At last he rose, and twitch’d his mantle blue:
To-morrow to fresh woods, and pastures new.
See also: Auden’s In Memory of W.B. Yeats

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Reading Voice: an Introduction to Lyric Poetry Copyright © by Emily Barth is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.

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