September 1

The last days of this glacial winter are not yet past; we live in ‘creation’s dawn.’ The morning stars still sing together, and the world, though made, is still being made and becoming more beautiful every day. …

This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on seas and continents and islands, each in its turn, as the earth rolls.

— John Muir, in Linnie Marsh Wolfe, John of the Mountains: The Unpublished Journals of John Muir

September 2

My father at the dictionary-stand
Touches the page to fully understand
The lamplit answer, tilting in his hand

His slowly scanning magnifying lens,
A blurry, glistening circle he suspends
Above the word “Carnation.” Then he bends

So near his eyes are magnified and blurred,
One finger on the miniature word,
As if he touched a single key and heard

A distant, plucked, infinitesimal string,
“The obligation due to every thing
That’s smaller than the universe.” I bring

My sewing needle close enough that I
Can watch my father through the needle’s eye,
As through a lens ground for a butterfly

Who peers down flower-hallways toward a room
Shadowed and fathomed as this study’s gloom
Where, as a scholar bends above a tomb

To read what’s buried there, he bends to pore
Over the Latin blossom. I am four,
I spill my pins and needles on the floor

Trying to stitch “Beloved” X by X.
My dangerous, bright needle’s point connects
Myself illiterate to this perfect text

I cannot read. My father puzzles why
It is my habit to identify
Carnations as “Christ’s flowers,” knowing I

Can give no explanation but “Because.”
Word-roots blossom in speechless messages
The way the thread behind my sampler does

Where following each X I awkward move
My needle through the word whose root is love.
He reads, “A pink variety of Clove,

Carnatio, the Latin, meaning flesh.”
As if the bud’s essential oils brush
Christ’s fragrance through the room, the iron-fresh

Odor carnations have floats up to me,
A drifted, secret, bitter ecstasy,
The stems squeak in my scissors, Child, it’s me,

He turns the page to “Clove” and reads aloud:
“The clove, a spice, dried from a flower-bud.”
Then twice, as if he hasn’t understood,

He reads, “From French, for clou, meaning a nail.”
He gazes, motionless. “Meaning a nail.”
The incarnation blossoms, flesh and nail,

I twist my threads like stems into a knot
And smooth “Beloved,” but my needle caught
Within the threads, Thy blood so dearly bought,

The needle strikes my finger to the bone.
I lift my hand, it is myself I’ve sewn,
The flesh laid bare, the threads of blood my own,

I lift my hand in startled agony
And call upon his name, “Daddy daddy”—
My father’s hand touches the injury

As lightly as he touched the page before,
Where incarnation bloomed from roots that bore
The flowers I called Christ’s when I was four.

— Gjertrud Schnackenberg, “Supernatural Love”

September 3

The body of a pine
needle:
a rough tuning fork
clothed in green,
a brief chestnut-brown interval

Or it could be
a double-edged sword:
like a love

Or a forked tongue
alongside the sun,
a dragon, which, reborn,
set free its winged arms
and rose up a serpent,
solemnly defending
its fire-breathing art

A slow fire burning
slowly,
capable of restoring to the wind
perfection:

no tuning fork could ever be so perfect
nor possess such piercing
clarity

— Ana Luisa Amaral, “Plant Thoughts,” translated by Margaret Jull Costa

September 4

Clarity, Clarity, surely clarity is the most beautiful thing in the world,
A limited, limiting clarity

I have not and never did have any motive of poetry
But to achieve clarity.

— from George Oppen’s “Route”

September 5

What is the meaning of life? That was all—a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other; herself and Charles Tansley and the breaking wave; Mrs Ramsay bringing them together; Mrs Ramsay saying, “Life stand still here”; Mrs Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent)—this was of the nature of a revelation. In the midst of chaos there was shape; this eternal passing and flowing (she looked at the clouds going and the leaves shaking) was struck into stability. Life stand still here, Mrs Ramsay said. “Mrs Ramsay! Mrs Ramsay!” she repeated. She owed it all to her.

— Virginia Woolf, To the Lighthouse

September 6

“President Young, why is it that the Lord is not always at our side promoting universal happiness and seeing to it that the needs of people are met, caring especially for His Saints? Why is it so difficult at times?”

President Young answered, “Because man is destined to be a God, and he must be able to demonstrate that he is for God and to develop his own resources so that he can act independently and yet humbly.” Then he added, “It is the way it is because we must learn to be righteous in the dark.”

— Brigham Young’s Office Journal, 28 January 1857.

September 7

The moment has come when everything stops
to ripen. The trees in the distance are quiet,
growing darker and darker, concealing fruit
that would fall at a touch. The scattered clouds
are pulpy and ripe. On the distant boulevards,
houses are ripening beneath the mild sky. …

This is the time when each person should pause
in the street to see how everything ripens.

— from Cesare Pavese’s “Grappa in September”

September 8

They are made in time
and they are made of time.
They are made little by little, as small blows
of a chisel make a statue.

Like a blanket, knit stitch by stitch,
day by day.

But after that, they are. They are like a table
resting on the floor: this way of speaking, for example
these gestures
this circle of routine acts
such objects
such things
only death unmakes.

— Circe Maia, “Construction of Objects,” translated by Jesse Lee Kercheval

September 9

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world

— Mary Oliver, “When Death Comes”

September 10

What had caused the death of the self? The word that means overwhelming humiliation, namely, mortification, comes from Latin roots that mean “to make dead” (mortis, dead, and facere, to make)-a psychological truth exemplified by the fact that one after another of the most violent men I have worked with over the years have described to me how they had been humiliated repeatedly throughout their childhoods, verbally, emotionally, and psychologically (taunted, teased, ridiculed, rejected, insulted). They had also been physically humiliated by means of violent physical abuse, sexual abuse, and life-threatening degrees of neglect (such as being starved by their parents, or simply and totally abandoned, as in coming home to find that their parents had absconded from the family’s apartment, leaving them behind).

Why is child abuse humiliating and shame-inducing to the child? Because it is the clearest possible way of communicating to the child that the parent does not love him (or her). Just as pride means self-love (and its various synonyms, such as self-esteem, self-respect, or feelings of self-worth), shame means the lack or deficiency of self-love. There are only two possible sources of love for the self-from oneself and from others. While the self-esteem of adults who have attained internalized sources of pride can survive the withdrawal of love from others, up to a point, it appears to be difficult if not impossible for a child to gain the capacity for self-love without first having been loved by at least one parent, or parent-substitute. And when the self is not loved, by itself or by another, it dies, just as surely as the body dies without oxygen.

In my experience, the men who had been most rejected and humiliated and abused, and were therefore most lacking in self-love, behaved as if they could not emotionally afford to love others, as if they needed to conserve whatever limited amounts of love they were capable of for themselves. For that reason, and others, it was hardly surprising to find that the most frequently and extremely violent men appeared to be remarkably incapable of love for, or empathy with, other people; after all, how else could they have hurt them with so little inhibition? What was equally striking was the complete lack of feelings of guilt and remorse for the pain and loss they had inflicted on others. It almost seemed as if the more extreme the degree of cruelty and atrocity, the less the feeling of guilt and remorse. Again, this is hardly surprising, in the sense that one would almost have to be lacking in the capacity to feel guilt and remorse about hurting others in order to be capable of hurting them with so little inhibition. And since the capacity to love others appears to be a prerequisite for the capacity to feel guilty about hurting them, the person who is overwhelmed by feelings of shame is incapable both of the feelings of guilt and remorse and of love and empathy that would inhibit most of us from injuring others no matter how egregiously they had insulted us.

These observations, and many others like them, convinced me that the basic psychological motive, or cause, of violent behavior is the wish to ward off or eliminate the feeling of shame and humiliation-a feeling that is painful and can even be intolerable and overwhelming-and replace it with its opposite, the feeling of pride. … Recognition – re-cognition – is both etymologically and psychologically related to re-spect; the former derives from Latin words meaning to “know again,” to “re-know,” so to speak, and the latter from words meaning to “see again,” to take a second look. Both words imply that the person is important enough to be worthy of a second look, and well-known enough-renowned enough-to be worthy of being re-known, ac-knowledged, re-cognized.

— James Gilligan, “Shame, Guilt, and Violence”

September 11

Emotions have their narrative; after the shock we move inevitably to the grief, and the sense that we are doing it more or less together is one tiny scrap of consolation.

Initially, the visual impact of the scenes – those towers collapsing with malign majesty – extended our state of fevered astonishment. Even on Wednesday, fresh video footage froze us in this stupefied condition, and denied us our profounder feelings: the first plane disappearing into the side of the tower as cleanly as a posted letter; the couple jumping into the void, hand in hand; a solitary figure falling with a strangely extended arm (was it an umbrella serving as a hopeful parachute?); the rescue workers crawling about at the foot of a vast mountain of rubble.

In our delirium, most of us wanted to talk. We babbled, by email, on the phone, around kitchen tables. We knew there was a greater reckoning ahead, but we could not quite feel it yet. Sheer amazement kept getting in the way.

The reckoning, of course, was with the personal. By Thursday I noticed among friends, and in TV and radio commentaries, a new mood of exhaustion and despair. People spoke of being depressed. No other public event had cut so deeply. The spectacle was over. Now we were hearing from the bereaved. Each individual death is an explosion in itself, wrecking the lives of those nearest. We were beginning to grasp the human cost. This was what it was always really about.

The silent relatives grouped around the entrances to hospitals or wandering the streets with their photographs was a terrible sight. It reminded us of other tragedies, of wars and natural disasters around the world. But Manhattan is one of the most sophisticated cities in the world, and there were some uniquely modern elements to this nightmare that bound us closer to it.

The mobile phone has inserted itself into every crevice of our daily lives. Now, in catastrophe, if there is time enough, it is there in our dying moments. All through Thursday we heard from the bereaved how they took those last calls. Whatever the immediate circumstances, what was striking was what they had in common. A new technology has shown us an ancient, human universal.

A San Francisco husband slept through his wife’s call from the World Trade Centre. The tower was burning around her, and she was speaking on her mobile phone. She left her last message to him on the answering machine. A TV station played it to us, while it showed the husband standing there listening. Somehow, he was able to bear hearing it again.We heard her tell him through her sobbing that there was no escape for her. The building was on fire and there was no way down the stairs. She was calling to say goodbye. There was really only one thing for her to say, those three words that all the terrible art, the worst pop songs and movies, the most seductive lies, can somehow never cheapen. I love you.

She said it over and again before the line went dead. And that is what they were all saying down their phones, from the hijacked planes and the burning towers. There is only love, and then oblivion. Love was all they had to set against the hatred of their murderers.

Last words placed in the public domain were once the prerogative of the mighty and venerable – Henry James, Nelson, Goethe – recorded, and perhaps sometimes edited for posterity, by relatives at the bedside. The effect was often consolatory, showing acceptance, or even transcendence in the face of death. They set us an example. But these last words spoken down mobile phones, reported to us by the bereaved, are both more haunting and true.

They compel us to imagine ourselves into that moment. What would we say? Now we know.

Most of us have had no active role to play in these terrible events. We simply watch the television, read the papers, turn on the radio again. Listening to the analysts and pundits is soothing to some extent. Expertise is reassuring. And the derided profession of journalism can rise quite nobly, and with immense resource, to public tragedy.

However, I suspect that in between times, when we are not consuming news, the majority of us are not meditating on recent foreign policy failures, or geopolitical strategy, or the operational range of helicopter gunships.

Instead, we remember what we have seen, and we daydream helplessly. Lately, most of us have inhabited the space between the terrible actuality and these daydreams. Waking before dawn, going about our business during the day, we fantasize ourselves into the events. What if it was me?

This is the nature of empathy, to think oneself into the minds of others. These are the mechanics of compassion: you are under the bedclothes, unable to sleep, and you are crouching in the brushed-steel lavatory at the rear of the plane, whispering a final message to your loved one. There is only that one thing to say, and you say it. All else is pointless. You have very little time before some holy fool, who believes in his place in eternity, kicks in the door, slaps your head and orders you back to your seat. 23C. Here is your seat belt. There is the magazine you were reading before it all began.

The banality of these details might overwhelm you. If you are not already panicking, you are clinging to a shred of hope that the captain, who spoke with such authority as the plane pushed back from the stand, will rise from the floor, his throat uncut, to take the controls…

If the hijackers had been able to imagine themselves into the thoughts and feelings of the passengers, they would have been unable to proceed. It is hard to be cruel once you permit yourself to enter the mind of your victim. Imagining what it is like to be someone other than yourself is at the core of our humanity. It is the essence of compassion, and it is the beginning of morality.

The hijackers used fanatical certainty, misplaced religious faith, and dehumanising hatred to purge themselves of the human instinct for empathy. Among their crimes was a failure of the imagination. As for their victims in the planes and in the towers, in their terror they would not have felt it at the time, but those snatched and anguished assertions of love were their defiance.

— Ian McEwan, “Only love and then oblivion. Love was all they had to set against their murderers,” published on September 15, 2001 in The Guardian

September 12

A complete togetherness between two people is an impossibility, and where it seems, nevertheless, to exist, it is a narrowing, a reciprocal agreement which robs either one party or both of their fullest freedom and development. But, once the realization is accepted that even between the closest human beings infinite distances continue to exist, a wonderful living side by side can grow up, if they succeed in loving the distance between them which makes it possible for each to see the other whole and against a wide sky!

— Rainer Maria Rilke, Letters of Rainer Maria Rilke: 1892-1910, translated by J. B. Greene and M.D. Herder

September 13

Likewise, ye husbands, dwell with them according to knowledge, giving honour unto the wife … as being heirs together of the grace of life; that your prayers be not hindered.

Finally, be ye all of one mind, having compassion one of another, love as brethren, be pitiful, be courteous: Not rendering evil for evil, or railing for railing: but contrariwise blessing; knowing that ye are thereunto called, that ye should inherit a blessing.

For he that will love life, and see good days, let him refrain his tongue from evil, and his lips that they speak no guile: Let him eschew evil, and do good; let him seek peace, and ensue it. … And who is he that will harm you, if ye be followers of that which is good

But and if ye suffer for righteousness’ sake, happy are ye: and be not afraid of their terror, neither be troubled; But sanctify the Lord God in your hearts: and be ready always to give an answer to every man that asketh you a reason of the hope that is in you with meekness and fear: Having a good conscience; that, whereas they speak evil of you, as of evildoers, they may be ashamed that falsely accuse your good conversation in Christ.

— 1 Peter 3: 7-11, 13-16, from the King James Version of the Bible

September 14

You ask if ‘I’m in love again.’ No, it’s not that. ‘In love’ was the experience with Max, so many years ago and for so long. ‘In love’ was feeling one would go anywhere, do anything, give up everyone else to be with the beloved. It was wanting to fuse completely with the other, be part of him. I am deeply glad to have had that experience, but I couldn’t be in love again. I know now that no other person can complete me and make me whole. That I must do for myself. I know there is no freedom in a relationship based on mutual need. I would not give up my family or my friends for love, or my work, because those things are part of me and I would be fatally changed and lessened by their loss. I do not say ‘never’ and ‘always’ any more. In love? I love Sydney. That’s quite different.

— Fredelle Maynard, in a letter

September 15

The aim of an artist is not to solve a problem irrefutably, but to make people love life in all its countless, inexhaustible manifestations. If I were told that I could write a novel whereby I might irrefutably establish what seemed to me the correct point of view on all social problems, I would not devote two hours to such a novel; but if I were told that what I should write would be read in about twenty years’ time by those who are now children and that they would laugh and cry over it and love life, I would devote all my own life all my energies to it.

— Leo Tolstoy, in a letter to Pyotr Boborykin

September 16

We will never bring disgrace on this our City by an act of dishonesty or cowardice. We will fight for the ideals and Sacred Things of the City both alone and with many. We will revere and obey the City’s laws, and will do our best to incite a like reverence and respect in those above us who are prone to annul them or set them at naught. We will strive increasingly to quicken the public’s sense of civic duty. Thus in all these ways we will transmit this City, not only not less, but greater and more beautiful than it was transmitted to us.

— The Athenian Oath

September 17

Something hit me very hard once, thinking about what one little man could do. Think of the Queen Elizabeth — the whole ship goes by and then comes the rudder. And there’s a tiny thing at the edge of the rudder called a trim tab. It’s a miniature rudder. Just moving the little trim tab builds a low pressure that pulls the rudder around. Takes almost no effort at all. So I said that the little individual can be a trim tab. Society thinks it’s going right by you, that it’s left you altogether. But if you’re doing dynamic things mentally, the fact is that you can just put your foot out like that and the whole big ship of state is going to go. So I said, “Call me Trim Tab.”

The truth is that you get the low pressure to do things, rather than getting on the other side and trying to push the bow of the ship around. And you build that low pressure by getting rid of a little nonsense, getting rid of things that don’t work and aren’t true until you start to get that trim-tab motion. It works every time. That’s the grand strategy you’re going for. So I’m positive that what you do with yourself, just the little things you do yourself, these are the things that count. To be a real trim tab, you’ve got to start with yourself, and soon you’ll feel that low pressure, and suddenly things begin to work in a beautiful way. Of course, they happen only when you’re dealing with really great integrity.

— Buckminster Fuller, 1972 interview in Playboy magazine. His gravestone reads, “Call me trimtab”.

September 18

There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.

— James Baldwin, Nobody Knows My Name

September 19

The heart has its reasons, of which reason knows nothing. We feel it in a thousand things. It is the heart that feels God, and not Reason. This, then, is perfect faith: God felt in the heart.

— Blaise Pascal, Pensées

September 20

Now we exhort you, brethren, warn them that are unruly, comfort the feebleminded, support the weak, be patient toward all men. See that none render evil for evil unto any man; but ever follow that which is good, both among yourselves, and to all men.

Rejoice evermore. Pray without ceasing. In every thing give thanks: for this is the will of God in Christ Jesus concerning you.

Quench not the Spirit. Despise not prophesyings. Prove all things; hold fast that which is good. Abstain from all appearance of evil.

— 1 Thessalonians 5: 14-21

September 21

This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.

— George Bernard Shaw, Preface to Man and Superman

September 22

If I am not for myself, who will be for me?
And if I am only for myself, what am I?
And if not now, when?

— Hillel, Avoth, 1:14

September 23

September 24

You have noticed that everything an Indian does is in a circle, and that is because the Power of the World always works in circles, and everything tries to be round. In the old days when we were a strong and happy people, all our power came to us from the sacred hoop of the nation, and so long as the hoop was unbroken, the people flourished. The flowering tree was the living center of the hoop, and the circle of the four quarters nourished it. The east gave peace and light, the south gave warmth, the west gave rain, and the north with its cold and mighty wind gave strength and endurance. This knowledge came to us from the outer world with our religion. Everything the Power of the World does is done in a circle. The sky is round, and I have heard that the earth is round like a ball, and so are all the stars. The wind, in its greatest power, whirls. Birds make their nests in circles, for theirs is the same religion as ours. The sun comes forth and goes down again in a circle. The moon does the same, and both are round. Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. Our tepees were round like the nests of birds, and these were always set in a circle, the nation’s hoop, a nest of many nests, where the Great Spirit meant for us to hatch our children.

— Black Elk & John G. Neihardt, Black Elk Speaks

September 25

The cloudy yellow sandstone of Enchanted Mesa was till smoky blue before dawn, and only a faint hint of yellow light touched the highest point of the mesa. All things seemed to converge there: roads and wagon trails, canyons with springs, cliff paintings and shrines, the memory of Josiah with his cattle; but the other was distinct and strong like the violet-flowered weed that killed the mule, and the black markings on the cliffs, deep caves along the valley the Spaniards followed to their attack on Acoma. Yet at that moment in the sunrise, it was all so beautiful, everything, from all directions, evenly, perfectly, balancing day with night, summer months with winter. The valley was enclosing this totality, like the mind holding all thoughts together in a single moment. The strength came from here, from this feeling. It had always been there.

— Leslie Marmon Silko, Ceremony

September 26

— from Ezra Pound’s “Canto LXXXI”

September 27

Is it such a fast that I have chosen? a day for a man to afflict his soul? is it to bow down his head as a bulrush, and to spread sackcloth and ashes under him? wilt thou call this a fast, and an acceptable day to the Lord? Is not this the fast that I have chosen? to loose the bands of wickedness, to undo the heavy burdens, and to let the oppressed go free, and that ye break every yoke? Is it not to deal thy bread to the hungry, and that thou bring the poor that are cast out to thy house? when thou seest the naked, that thou cover him; and that thou hide not thyself from thine own flesh?

Then shall thy light break forth as the morning, and thine health shall spring forth speedily: and thy righteousness shall go before thee; the glory of the Lord shall be thy reward. Then shalt thou call, and the Lord shall answer; thou shalt cry, and he shall say, Here I am. If thou take away from the midst of thee the yoke, the putting forth of the finger, and speaking vanity; And if thou draw out thy soul to the hungry, and satisfy the afflicted soul; then shall thy light rise in obscurity, and thy darkness be as the noon day: And the Lord shall guide thee continually, and satisfy thy soul in drought, and make fat thy bones: and thou shalt be like a watered garden, and like a spring of water, whose waters fail not. And they that shall be of thee shall build the old waste places: thou shalt raise up the foundations of many generations; and thou shalt be called, The repairer of the breach, The restorer of paths to dwell in.

— Isaiah 58: 5-12, from the King James Version of the Bible

September 28

Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town. …

And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny’s
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can’t find it,
So can’t get saved, as Saint Mark says they mustn’t.
(I stole the goblet from the children’s playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.

— Robert Frost, “Directive”

September 29

After supper light on fields, prairie, long yellow
light on fields aspiring, fields looking up grass singing
high grass singing yellow light on green grass growing,
the wide round horizon, the long tired light on the field
and the green grass high yearning up aspiring to heaven
to the dome sky heaven the grass growing up to the sky
and the light dying, the sun wearily sleepily smiling
lying down, with a sighing song, a long smiling sigh
over the fields and the grass rising, thin prayer rising
tufted to the air above the field to the sky the dome
sky thin made of light air the dome above the field and
the field breathing the air full rich golden grass smelling
sweet and tired with sun dying sun lying down, dying down
in west.

— Robert Lax, “evening”

September 30

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree

Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always–
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well

— T. S. Eliot, “Little Gidding”