“Physics of Being Mexican-American (Quantum Mexicanics)” (2011)

By Ralph Haskins Elizondo

From The Best American Nonrequired Reading (2011)

Mexican, Pocho, Beaner, Spic,

Pedro, Tejano, Latino, Chicano,

all have been used to describe us.

But what is our reality? We are

unobservable particles,

our wave function spreads across

both sides of the Rio Grande,

with a non-zero probability

we could be Central American

or even Canadian,

collapsing in the crop fields

of Michigan, in the vineyards

of California and in the orchards

of South Texas.

You apply the Uncertainty Principle

on us. The more certain you are about

our ethnicity, the less certain you are about

our nationality,

and our vast potential energy makes you

fear us. We are not a radioactive people.

Our isotopes are stable since

our binding force is love.

“Meditations XVII” (1623)

By John Donne (1572-1631)

From Devotions upon Emergent Occasions (1624)

No man is an island,

Entire of itself.

Each is a piece of the continent,

A part of the main.

If a clod be washed away by the sea,

Europe is the less.

As well as if a promontory were.

As well as if a manor of thine own

Or of thine friend’s were.

Each man’s death diminishes me,

For I am involved in mankind.

Therefore, send not to know

For whom the bell tolls,

It tolls for thee.

For further reading: Short Analysis, Longer Analysis

“O Captain! My Captain!” (1865)

By Walt Whitman (1819-1892)

From Leaves of Grass 2nd ed. (1867)

O CAPTAIN! my Captain! our fearful trip is done;

The ship has weather’d every rack, the prize we sought is won;

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the vessel grim and daring:

But O heart! heart! heart!

O the bleeding drops of red,

Where on the deck my Captain lies,

Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;

Rise up–for you the flag is flung–for you the bugle trills; 10

For you bouquets and ribbon’d wreaths–for you the shores a-crowding;

For you they call, the swaying mass, their eager faces turning;

Here Captain! dear father!

This arm beneath your head;

It is some dream that on the deck,

You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;

My father does not feel my arm, he has no pulse nor will;

The ship is anchor’d safe and sound, its voyage closed and done;

From fearful trip, the victor ship, comes in with object won; 20

Exult, O shores, and ring, O bells!

But I, with mournful tread,

Walk the deck my Captain lies,

Fallen cold and dead.

“The New Colossus” (1883)

By Emma Lazarus (1849-1887)

Engraved to the Statue of Liberty (1903)

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land;

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

“Keep ancient lands, your storied pomp!” cries she

With silent lips. “Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!”

For further reading: Analysis

“Still I Rise”

By Maya Angelou (1928-2014)

From And Still I Rise: A Book of Poems (1978)

You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt

But still, like dust, I’ll rise.

Does my sassiness upset you?

Why are you beset with gloom?

’Cause I walk like I’ve got oil wells

Pumping in my living room.

Just like moons and like suns,

With the certainty of tides,

Just like hopes springing high,

Still I’ll rise.

Did you want to see me broken?

Bowed head and lowered eyes?

Shoulders falling down like teardrops,

Weakened by my soulful cries?

Does my haughtiness offend you?

Don’t you take it awful hard

’Cause I laugh like I’ve got gold mines

Diggin’ in my own backyard.

You may shoot me with your words,

You may cut me with your eyes,

You may kill me with your hatefulness,

But still, like air, I’ll rise.

Does my sexiness upset you?

Does it come as a surprise

That I dance like I’ve got diamonds

At the meeting of my thighs?

Out of the huts of history’s shame

I rise

Up from a past that’s rooted in pain

I rise

I’m a black ocean, leaping and wide,

Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear

I rise

Into a daybreak that’s wondrously clear

I rise

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise

I rise

I rise.

For further reading: Analysis

“The Lady of Shalott” (1832/1842)

By Alfred, Lord Tennyson (1809-1892)

From Poems by Alfred Lord Tennyson (1833)

Part I

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And through the field the road runs by

To many-towered Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

The island of Shalott.

Willows whiten, aspens quiver,

Little breezes dusk and shiver

Through the wave that runs for ever

By the island in the river

Flowing down to Camelot.

Four grey walls, and four grey towers,

Overlook a space of flowers,

And the silent isle imbowers

The Lady of Shalott.

By the margin, willow-veiled,

Slide the heavy barges trailed

By slow horses; and unhailed

The shallop flitteth silken-sailed

Skimming down to Camelot:

But who hath seen her wave her hand?

Or at the casement seen her stand?

Or is she known in all the land,

The Lady of Shalott?

Only reapers, reaping early

In among the bearded barley,

Hear a song that echoes cheerly

From the river winding clearly,

Down to towered Camelot:

And by the moon the reaper weary,

Piling sheaves in uplands airy,

Listening, whispers “‘Tis the fairy

Lady of Shalott.”

Part II

There she weaves by night and day

A magic web with colours gay.

She has heard a whisper say,

A curse is on her if she stay

To look down to Camelot.

She knows not what the curse may be,

And so she weaveth steadily,

And little other care hath she,

The Lady of Shalott.

And moving through a mirror clear

That hangs before her all the year,

Shadows of the world appear.

There she sees the highway near

Winding down to Camelot:

There the river eddy whirls,

And there the surly village-churls,

And the red cloaks of market girls,

Pass onward from Shalott.

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd-lad,

Or long-haired page in crimson clad,

Goes by to towered Camelot;

And sometimes through the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

The Lady of Shalott.

But in her web she still delights

To weave the mirror’s magic sights,

For often through the silent nights

A funeral, with plumes and lights

And music, went to Camelot:

Or when the moon was overhead,

Came two young lovers lately wed;

“I am half sick of shadows,” said

The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling through the leaves,

And flamed upon the brazen greaves

Of bold Sir Lancelot.

A red-cross knight for ever kneeled

To a lady in his shield,

That sparkled on the yellow field,

Beside remote Shalott.

The gemmy bridle glittered free,

Like to some branch of stars we see

Hung in the golden Galaxy.

The bridle bells rang merrily

As he rode down to Camelot:

And from his blazoned baldric slung

A mighty silver bugle hung,

And as he rode his armour rung,

Beside remote Shalott.

All in the blue unclouded weather

Thick-jewelled shone the saddle-leather,

The helmet and the helmet-feather

Burned like one burning flame together,

As he rode down to Camelot.

As often through the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

Moves over still Shalott.

His broad clear brow in sunlight glowed;

On burnished hooves his war-horse trode;

From underneath his helmet flowed

His coal-black curls as on he rode,

As he rode down to Camelot.

From the bank and from the river

He flashed into the crystal mirror,

“Tirra lirra,” by the river

Sang Sir Lancelot.

She left the web, she left the loom,

She made three paces through the room,

She saw the water-lily bloom,

She saw the helmet and the plume,

She looked down to Camelot.

Out flew the web and floated wide;

The mirror cracked from side to side;

“The curse is come upon me,” cried

The Lady of Shalott.

Part IV

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

Over towered Camelot;

Down she came and found a boat

Beneath a willow left afloat,

And round about the prow she wrote

The Lady of Shalott.

And down the river’s dim expanse,

Like some bold seër in a trance

Seeing all his own mischance–

With a glassy countenance

Did she look to Camelot.

And at the closing of the day

She loosed the chain, and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

Lying, robed in snowy white

That loosely flew to left and right–

The leaves upon her falling light–

Through the noises of the night

She floated down to Camelot:

And as the boat-head wound along

The willowy hills and fields among,

They heard her singing her last song,

The Lady of Shalott.

Heard a carol, mournful, holy,

Chanted loudly, chanted lowly,

Till her blood was frozen slowly,

And her eyes were darkened wholly,

Turned to towered Camelot.

For ere she reached upon the tide

The first house by the water-side,

Singing in her song she died,

The Lady of Shalott.

Under tower and balcony,

By garden-wall and gallery,

A gleaming shape she floated by,

Dead-pale between the houses high,

Silent into Camelot.

Out upon the wharfs they came,

Knight and burgher, lord and dame,

And round the prow they read her name,

The Lady of Shalott.

Who is this? and what is here?

And in the lighted palace near

Died the sound of royal cheer;

And they crossed themselves for fear,

All the knights at Camelot:

But Lancelot mused a little space;

He said, “She has a lovely face;

God in his mercy lend her grace,

The Lady of Shalott.”

For further reading: Analysis

“Hate Poem” (2005)

By Julie Sheehan (1972-)

From Orient Point (2006)

I hate you truly. Truly I do.

Everything about me hates everything about you.

The flick of my wrist hates you.

The way I hold my pencil hates you.

The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you.

Each corpuscle singing in its capillary hates you.

Look out! Fore! I hate you.

The little blue-green speck of sock lint I’m trying to dig from under my third toenail, left foot, hates you.

The history of this keychain hates you.

My sigh in the background as you pick out the cashews hates you.

The goldfish of my genius hates you.

My aorta hates you. Also my ancestors.

A closed window is both a closed window and an obvious symbol of how I hate you.

My voice curt as a hairshirt: hate.

My hesitation when you invite me for a drive: hate.

My pleasant “good morning”: hate.

You know how when I’m sleepy I nuzzle my head under your arm? Hate.

The whites of my target-eyes articulate hate. My wit practices it.

My breasts relaxing in their holster from morning to night hate you.

Layers of hate, a parfait.

Hours after our latest row, brandishing the sharp glee of hate,

I dissect you cell by cell, so that I might hate each one individually and at leisure.

My lungs, duplicitous twins, expand with the utter validity of my hate, which can never have enough of you,

Breathlessly, like two idealists in a broken submarine.hate you truly. Truly I do.

Everything about me hates everything about you.

The flick of my wrist hates you.

The way I hold my pencil hates you.

The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you.

Each corpuscle singing in its capillary hates you.

Look out! Fore! I hate you.

The little blue-green speck of sock lint I’m trying to dig from under my third toenail, left foot, hates you.

The history of this keychain hates you.

My sigh in the background as you pick out the cashews hates you.

The goldfish of my genius hates you.

My aorta hates you. Also my ancestors.

A closed window is both a closed window and an obvious symbol of how I hate you.

My voice curt as a hairshirt: hate.

My hesitation when you invite me for a drive: hate.

My pleasant “good morning”: hate.

You know how when I’m sleepy I nuzzle my head under your arm? Hate.

The whites of my target-eyes articulate hate. My wit practices it.

My breasts relaxing in their holster from morning to night hate you.

Layers of hate, a parfait.

Hours after our latest row, brandishing the sharp glee of hate,

I dissect you cell by cell, so that I might hate each one individually and at leisure.

My lungs, duplicitous twins, expand with the utter validity of my hate, which can never have enough of you,

Breathlessly, like two idealists in a broken submarine.

“Difference of Opinion”

By Wendy Cope (1945-)

From Poetry Magazine (2006)

He tells her that the earth is flat —

He knows the facts, and that is that.

In altercations fierce and long

She tries her best to prove him wrong.

But he has learned to argue well.

He calls her arguments unsound

And often asks her not to yell.

She cannot win. He stands his ground.

The planet goes on being round.

For further reading: Article

“On Being Brought from Africa to America” (1770)

By Phillis Wheatley (1753-1784)

From Poems on Various Subjects, Religious and Moral (1773)

‘Twas mercy brought me from my Pagan land,

Taught my benighted soul to understand

That there’s a God, that there’s a Saviour too:

Once I redemption neither sought nor knew.

Some view our sable race with scornful eye,

“Their colour is a diabolic die.”

Remember, Christians, Negro’s, black as Cain,

May be refin’d, and join th’ angelic train.

For further reading: Analysis