Janet Boyd
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CHAPTER DESCRIPTION
The content in the chapter assumes some previous experience with college research and writing, so after a brief introduction to argument, the chapter will focus on two major projects: the synthesis project and the solution proposal project.
In the first project, you will analyze and synthesize two different perspectives on the same issue through a synthesis paper or project to sharpen your critical thinking and analytic skills. In addition, the arguments analyzed and compared in the project’s source material serves as a model of the different ways writers develop and support their arguments with rhetorical appeals, evidence, rhetorical language choices, and explanatory commentary. The second project asks you to develop a proposal solution in an argument in which you immerse yourself in researching a current narrowed issue or problem, provide background to the problem, explain why it is a problem and must be addressed now, and provide feasible solutions to the problem. The second project also includes several suggestions for creating related digital projects to share your knowledge and solutions with your peers and others.
This section assumes you have some knowledge and experience with argument, but just to make sure we share a common understanding, the content in this section will provide sufficient background to refresh and expand your knowledge of argument and academic argument vocabulary terms.
A clear and arguable position: You must present a reasonable argument for which both evidence and opposing or alternate views (counterarguments) exist. If few would disagree with you or you cannot find any evidence of a credible opposing view, you should consider rethinking and revising your position. A common error occurs when students try to present a statement of fact as an argumentative position. See the examples at the end of this section to learn how an idea or statement of fact can be developed and revised to become an effective thesis statement.
An obvious organizational structure: A solid argument takes planning. If your argument is disorganized or the thesis and/or the key reasons are unclear or placed in a confusing order, your argument and supporting content may not be taken seriously. Taking the time to plan the essay with a rough phrase-form outline including your citations will save you hours of time when you start writing.
Necessary background information: You must present the issues, history, or larger contexts that provide the foundation for understanding your argument so that your readers (and you) can comprehend and see the urgency in the specific argument you are making. That is, you must acknowledge the current rhetorical context and provide a sense of the argument’s importance or exigence.
Viable reasons for your position: Your argument offers valid reasons for your position for which you provide relevant evidence. These reasons usually become the key points expressed in your topic sentences.
Convincing evidence: You present convincing, credible, relevant researched evidence including facts, statistics, surveys, expert testimony, anecdotes, and textual (i.e. such as history, reports, analyses) evidence. You may also include personal testimony if you have direct experience you can provide as evidence, but primarily, you are providing researched evidence. (Think logos, ethos, pathos, Kairos when selecting your evidence. Varying evidence types will help you vary the rhetorical appeals and create a more balanced argument and greater audience appeal.)
Appeals to readers’ values: Effective arguments appeal to readers’ emotions, values, wants, and needs. You might appeal to your readers’ sense of compassion or justice through a compelling narrative/anecdote, for example. (Think pathos and ethos when appealing or acknowledging your audience’s concerns or possible thoughts.)
A trustworthy tone: Through a confident tone, clear focus, knowledgeable voice, and well-researched, credible evidence, you can develop readers’ confidence in your credibility. (Convey to your audience that you possess internal ethos!) Also, vague or shallow evidence and writing that is unedited and/or too informal in tone will reduce your audience’s trust in your argument.
Careful consideration of counterarguments: You present your awareness of opposing views about your argument to address the audience’s needs or expectations and to reinforce your internal ethos with their trust. If you do not address the “yeah, but” or “what about” in your readers’ or listeners’ minds, your argument may not be taken seriously and, even worse, your audience will think you have not researched your topic well enough or that you underestimate their existing knowledge. You should concede some points the opposition makes and refute others through evidence when you can.
Appropriate use of patterns of development to present your argument: Your argument reflects application of the most effective patterns of development (i.e. exemplification, explanation, analysis, classification, comparison/contrast, definition, description, narration), with which to develop the content supporting your reasons (typically your reasons are the discussion points or topic sentences for your body paragraphs).
Example: Can a statement of fact evolve into a strong argumentative thesis statement?
When presenting your stance in an argumentative thesis statement, make sure you have stated an argument and not a simple statement of fact or an expository thesis statement like you would write for a report.
Statement of Fact: Some social media users develop unhealthy attitudes about their body image because of the constant portrayal of “ideal” body types they encounter online.
Expository Thesis Statement: Excessive social media use can cause unhealthy physical and mental conditions, particularly for girls and young women.
Overarching Point Argumentative Thesis Statement: Social media users should restrict themselves from the exposure to unrealistic photos and from the portrayal of the “ideal” body type in order to prevent the development of significant health issues.
Argument Thesis Statement with Broadcasting of Discussion Points (Reasons/Minor Premises): Social media users should restrict themselves from the exposure to unrealistic photos and from the portrayal of the “ideal” body type in order to prevent harmful physical and mental health conditions linked with excessive social media use.
Proposal Solution Argument Thesis Statement: To help users moderate their exposure to unrealistic photos and “ideal” body types associated with harmful physical and mental health conditions, social media companies should provide users with informative public service announcements focused on healthy body image, display advertising promoting healthy body images and attitudes, and develop filters and messaging preferences to help end users control their media stream content.
THESIS TIPS: When you compare the statements above, it is clear that a solid expository or argumentative thesis statement can contain factual information, but it must be a more complex idea that requires more development and evidence. The simple statement of fact above does not pass the “so what?” or “why?” test. When a thesis makes a claim about what a person or organization should do, think, or say, you are in the realm of argument. A useful strategy for developing a strong argumentative thesis statement is to answer this question: Who should do what and why?
Using a questioning heuristic can help you generate (“invent”) an academic argument. Just as you pre-research a possible argument topic to see what others are saying about it (“the current conversation” in public discourse) or just bubble map or list to generate some ideas or list some research questions, you also need to “interrogate” the argument you are forming before you go too far with your research. In fact, working through these questions about the argument will help you identify holes in the argument you can address with specific research questions for your next round of rhetorical research.
QUESTIONING HEURISTIC FOR INVENTING AN ARGUMENT
Questions are at the core of arguments. What matters is not just that you believe that what you have to say is true, but that you give others viable reasons to believe it as well—and also show them that you have considered the issue from multiple angles. To do that, build your argument out of the answers to the five questions a rational reader will expect answers to. In academic and professional writing, we tend to build arguments from the answers to these main questions:
When you ask people to do or think something they otherwise would not, they quite naturally want to know why they should do so. In fact, people tend to ask the same questions. As you make a reasonable argument, you anticipate and respond to readers’ questions with a particular part of argument:
1. The answer to What do you want me to do or think? is your conclusion: “I conclude that you should do or think X.”
2. The answer to Why should I do or think that? states your premise: “You should do or think X because . . .”
3. The answer to How do I know that what you say is true? presents your support: “You can believe my reasons because they are supported by a thorough review of the available information and this carefully selected, credible evidence . . .”
4. The answer to Why should I accept that your reasons support your claim? states your general principle of reasoning, called a warrant: which is/are assumptions and/or values the author holds and possibly the audience holds as well). “My specific reason supports my specific claim because whenever this general condition is true, we can generally draw a conclusion like mine.” “I know people in my audience value the importance of X, just as I do.”
5. The answer to What about this other idea, fact, or conclusion? acknowledges that your readers might see things differently and then responds to their counterarguments.
6. The answer to How should you present your argument? leads to the point of view, organization, and tone that you should use when making your arguments.
As you have noticed, the answers to these questions involve knowing the particular vocabulary about argument because these terms refer to specific parts of an argument. The remainder of this section will cover the terms referred to in the questions listed above as well as others that will help you better understand the building blocks of argument.
Source of this argument questioning heuristic: Devries, Kirsten. “Chapter 3 Argument.” Critical Reading, Critical Writing: A Handbook to Understanding College Composition, Howard Community College (MD), pressbooks.howardcc.edu/criticalreadingcriticalwriting/chapter/chapter-3-argument/. License CC-BY-NC-SA 4.0.
Most likely in your first semester of college English, you composed a simplified Aristotelian argument essay in which you researched a controversial issue and formed an argumentative position on the issue. You wrote an introduction leading into your thesis statement (major premise), provided two to three reasons as discussion points (minor premises) which became the focus of the essay’s body paragraphs. You also provided a counterargument presenting an opposing view and offered both a concession and a refutation of that view. The basic argument process is reviewed for you in this brief description below:
PROMPTS AND PROCESSES TO GUIDE STRUCTURE AND DEVELOPMENT OF A BASIC ARGUMENT ESSAY
Claim: What do you want the reader to believe?
The thesis in an argument paper is often called a claim. This is a statement of position, a thesis in which you take a stand on a controversial issue. A strong claim is one that has a valid counter-claim — an opposite or alternative that is as sensible as the position that you take in your claim.
Background: What background information about the topic does the reader need?
Before you get into defending your claim, you may need to offer some context to your argument. Some of this context may be offered in your intro paragraph, but often there are other definitions, history about your topic or the controversy that surrounds it, or other elements of the argument’s contextual that need additional space in your paper. This background can go after you state your claim.
Reasons: Why should a reader accept your claim?
To support your claim, you need a series of “sub-claims” or reasons. Like your claim, this is your thinking – your mini-argumentative points that support the core argumentative claim. This is NOT evidence. This is not data or statistics or quotes. A reason should be your idea that you use to support claim. We often say that three reasons – each distinct points – make for a well rounded argument structure.
Evidence: What makes your reasoning valid? To validate the thinking that you use in your reasons, you need to demonstrate that your reasons are not only based on your personal opinion. Evidence can come from research studies or scholarship, expert opinions, personal examples, observations made by yourself or others, or specific instances that make your reason seem sound and believable. Evidence only “works” if it directly supports your reason — and sometimes you must explain how the evidence supports your reason (do not assume that a reader can see the connection between evidence and reason that you see).
Counterargument: But what about other perspectives?
In a strong argument, you will not be afraid to consider perspectives that either challenge or completely oppose your own claim. In a counterargument, you may do any of the following (or some combination of them):
You have to be careful and clear that you are not conveying to a reader that you are rejecting your own claim; it is important to indicate that you are merely open to considering alternative viewpoints. Being open in this way shows that you are an ethical arguer – you are considering many viewpoints.
Response to Counterargument:
Just as it is important to include counterargument to show that you are fair-minded and balanced, you must respond to the counterargument that you include so that a reader clearly sees that you are not agreeing with the counterargument. Failure to include the response to counterargument can confuse the reader.
**It is certainly possible to begin the argument section (meaning, after the Background section) with your counterargument response instead of placing it at the end. Some people prefer to have their counterargument first; some prefer to have the counterargument response right before the conclusion.
Excerpted with minor edits from Emilie Zickel’s Pressbook, English 102: Reading, Research and Writing.
The Rogerian approach to argument is based in the work of Carl Rogers, one of the founders of Humanistic Psychology. Humanists are ” concerned with the fullest growth of the individual in the areas of love, fulfillment, self-worth, and autonomy” (“Humanist Psychology”). In the field of learning and rhetoric, the “Rogerian” approach is focused on personal growth, developing a sense of personal fulfillment, and finding common ground with others. This concept of finding common ground with others who hold opposing views or perspectives is a contrast to the traditional Aristotelian argument as discussed in the previous subsection or the Toulmin argument, discussed in the next subsection.
A Rogerian argument presents the opposing view without bias or negative tone and finds subclaims or points within the opposition argument that have merit or align with your own position on the issue. If you understand the issue well enough you could authentically present two or more stances on the issue, you are demonstrating that you have brought an open mind to the issues and are probably trustworthy in presenting your own argument and the opposing view. That is, you will have validated your internal ethos to your audience. As you present the opposing argument and consider the supporting evidence, your goal is to work your way toward common ground; that is, the reasons and/or evidence both sides can agree upon, at least to some degree. Even if you do not actually write or present a formal Rogerian Argument, working through an outline of the opposition’s case with an open mind for the purpose of finding common ground and determining where your arguments diverge will help you more effectively develop your own argument and present a counterargument authentic to the oppositions’ views.
The Rogerian argument analysis expands your knowledge and understanding of an issue far beyond a simple pro/con understanding of the issue and may lead you to developing a more sophisticated, complex qualified argument. Processing your argument through the filter of a Rogerian perspective could also help you avoid some argumentative pitfalls. For example, more fully understanding and finding common ground with the the opposing views may help you prevent these argumentative pitfalls:
To give a Rogerian argument argument a try, follow these guidelines:
The combative or direct argumentative approach may be rejected by some audiences as too one-sided or may even culturally alienate an audience completely. Even if you do not use a pure Rogerian approach when structuring your own argument, applying the Rogerian mindset to the opposing side’s argument as a productive exercise just might help you find the common ground on which to base a stronger argument of your own.
Ready to learn more about Rogerian argument? This brief video below provides more explanation of the Rogerian argument and includes a specific outline for writing a Rogerian argument or analysis.
Caption and Credit: Valerie Bronstein Connors, Professor at American River College. “How to write a Rogerian structured essay with a delayed thesis and common ground.” YouTube. 25 Nov, 2019, youtu.be/a6kt8A10Mc4
Toulmin Argument was developed by philosopher, Stephen Toulmin. Toulmin is best known for his work on argumentation which moved argument out of classical logical reasoning based on syllogisms to what he termed “practical arguments” based on justification rather than abstract proofs. Key elements of the Toulmin Model are the claim, the grounds or evidence, the rebuttal, the conclusion, the warrant, the backing, and qualifiers.
TOULMIN MODEL
from Writing and Rhetoric by Heather Hopkins Bowers, Anthony Ruggiero, and Jason Saphara. This content is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.
THE CLAIM
So now that we know what the parts are we can practice building a thesis. Here is a way to get started:
So the basic starting thesis would look something like this:
THE QUALIFIERS
The diagram below reflects the elements of Toulmin’s practical argument. The diagram illustrates how warrants and the back of warrants provide the connection between evidence and a conclusion. Warrants help contextualize a fact or link a fact to a conclusion. Creating a diagram such as this will help you create a solid basis on which to justify your argument. Probably the most important elements of the Toulmin model are the warrant and the backing. If you are not sure what warrant/s (shared audience knowledge, values, or assumption/s) link your evidence (grounds for the argument) to the conclusion, you may not be supporting your conclusion with the most effective evidence.
The Toulmin Argument for Analyzing Arguments
The Toulmin argument elements can be used to structure or test your argument or to better analyze the quality of another writer or speaker’s argument. This list will give you Toulmin terminology and a sense of how the elements work to use the model to analyze another person’s argument.
Finally, if you want to view or listen to an entertaining discussion of the Toulmin Model of Argument, this video will both inform and entertain you.
Credit: “The Toulmin Method of Argumentation | THUNK.” YouTube, 29 Nov. 2016, youtu.be/1vArfwlX04I.
ARGUMENT GENRES
by Heather Hopkins Bowers, Anthony Ruggiero, and Jason Saphara, in Writing and Rhetoric, Colorado State University, Pueblo. Licensed CC-BY 4.0. https://csupueblo.pressbooks.pub/rhetoric/chapter/argument-genres/
Sometimes writing instructors assign specific types of arguments. These arguments have different purposes and will require different writing strategies. These purposes and strategies require writers to assume different roles. If assigned one of these arguments, you may find yourself investigating a cause, defining a term, evaluating a product, or solving a problem. You’ll still be arguing and using rhetorical principles to make these arguments, but you’ll need to consider your role as you compose your argument.
In a causal argument, a writer must argue about a problem’s or controversy’s cause. Causal arguments are difficult because most controversial issues have complicated causes. Many people will also tend to believe causes that correspond to their political beliefs when considering causes. Consider the various explanations for school shootings. Some will insist the problem is the easy availability of firearms while others will insist that shooters are inspired by violent video games and entertainment. When making a causal argument, a writer should consider their biases and rely on evidence to support their claims.
In a causal argument, writers may be tempted by logical fallacies. For example, it’s important to remember the correlation is not equal to causation. If two events happen at the same time, that doesn’t necessarily mean that one event caused the other. We only have to consider an extreme example to see this. Imagine someone saying, “John wrecked his car last night when the moon was full, and Jim did the same. The full moon must have affected their driving.” While most people wouldn’t believe this, we can investigate other possible causes. Were there poor road conditions? Were Jim and/or John drunk? Driving unsafely? People will make similar errors when one event follows another. To avoid making these mistakes, writers should consider alternative causes when making a causal argument; these are opposing views that should be considered. If you find an alternative explanation stronger than your initial version, then you should make that your paper’s conclusion.
This type of argument may seem puzzling. How do we argue about a word’s definition? Isn’t that what dictionaries are for? For most definition arguments, the real argument isn’t the precise meaning of the word. Instead, the argument is about the implications of that definition and how the definition may be applied to specific situations. Consider the word “obscene.” One dictionary defines “obscene” as “offensive or disgusting by accepted standards of morality and decency.” A writer may want to argue that Playboy is obscene. Or that a recent controversial film is obscene. By making this kind of argument, the writer would suggest some course of action: the obscene material should be age-limited, should be condemned, or should be banned. In this kind of paper the author would make claims about “accepted standards” and “offensive or disgusting” as they apply to the potentially obscene item.
Many popular arguments rely of definitions. Determining whether something is obscene or offensive is just one popular item. As part of the War on Terror, we’ve argued about the meaning of “torture” and its justification. Many death penalty arguments rely upon the terms “cruel and unusual punishment.” The Iraq war inspired many arguments about “just” and “unjust” wars, as did the Vietnam war did decades earlier.
You may be more familiar with evaluation arguments than you realize. If you’ve ever read a movie, restaurant, or other product review, you’ve read an evaluation argument. As online shopping and social media have expanded, you may have even written your own evaluation argument on Amazon, Google, or Yelp. A good evaluation argument will rely upon clear criteria. “Criteria” (singular “criterion”) are the conditions by which you make your evaluation; these conditions could be used to evaluate any thing that’s in the same category. A restaurant review may be based upon the food quality, price, service, and ambiance of the restaurant. An evaluation should also consider the specific category of what’s being evaluated: one shouldn’t evaluate a local pub with the same criteria as a fine dining establishment. By establishing a narrow category, the writer can write a more accurate evaluation.
A writer should strive to be fair when writing a review. You’ve probably seen a one-star Amazon review that says something like “The product arrived three days late.” This probably isn’t a fair review of the product, as its makers may have had no role in the product’s untimely delivery. When directing praise or blame in an evaluation consider how much to weigh each criteria and even the criteria against each other. Audience is important for a review. For example, a writer reviewing a horror movie for a horror fan website would probably offer a different review than a writer for The New York Times.
Evaluation arguments aren’t only used with products or services. Evaluation arguments are useful for supporting or opposing public policies or proposed laws. A community may propose several solutions to deal with a school district’s budget woes. A teacher from that district may write a guest editorial arguing for the best policy, or write an article criticizing a poor choice.
Proposal arguments require the writer to perform two tasks: argue that there is a problem, and then propose a solution to that problem. Usually, the problem will be a local problem: Pueblo, Colorado has a high teen pregnancy rate. It’s good to focus on a smaller community because national or global problems or much more complex. In the United States, many states have varying laws and approaches to problems, so arguing about a problem is difficult. Additionally, Portland, Oregon may suffer from different problems than Portland, Maine. Writing an argument that addresses those complexities is often beyond the capability of most first year students and beyond the scope of the short papers assigned in a composition class.
Proposals have two separate arguments. The first is the problem: it’s not enough to label an issue a problem; a writer must prove that the problem is severe to an audience. Take, for instance, the opioid crisis. A writer may need to convince community members who aren’t addicts why the crisis is a problem for their community, so it’s not enough to discuss how addiction hurts addicts. Showing how the community is harmed by the crime associated with addiction might motivate a community to solve the problem. The key to establishing a problem is showing that the problem is severe to the audience because a proposal is asking readers to fix the problem.
The second argument is the solution. Explain what the solution is and how it solves the problem. A writer should establish that their solution is the best solution. The best solution is the cheapest solution that best addresses the problem. “Cheapest” here refers not just to monetary costs. While monetary costs are important, there are other costs. What are the labor costs of the solution? How will people’s lives be changed? How might people be angered by the solution or its implementation? “Addressing the problem” is an acknowledgment that most proposals won’t completely solve a problem. The goal is a reasonable solution that eliminates most of the harm, or the most serious harm, caused by the problem. Perhaps the most difficult aspect of proposals is considering the unintended consequences of a solution. These can be positive or negative. Writers should ask “What happens next?” of their solutions. Will a solution that lowers teen pregnancies also improve the dropout rate in the school district? Will it also require more resources be moved from other school programs?
Key Takeaway: What are Key Features of Argument?
With this brief introduction, you can see what rhetorical or academic argument is not:
Furthermore, you can see what rhetorical argument is:
Source of this Key Takeaway: Devries, Kirsten. “Chapter 3 Argument.” Critical Reading, Critical Writing: A Handbook to Understanding College Composition, Howard Community College (MD), pressbooks.howardcc.edu/criticalreadingcriticalwriting/chapter/chapter-3-argument/. License CC-BY-NC-SA 4.0.
Now that you understand the basic features, and types of argument more fully, you are ready to dig a more deeply into understanding how effective arguments are developed. This requires critically analyzing the viewpoints of others–and yourself–using logical reasoning to test the ideas and assumptions on which an argument is founded. The first subsection below will give you the thinking tools to do that. In addition, examining how you and other rhetors use a balance of rhetorical appeals and types of relevant, effective, and ethically presented evidence to support their arguments will help you develop stronger argument by applying your rhetorical awareness, skills, and knowledge to the greatest effect in delivering the argument.
Key Vocabulary
Source: Devries, Kirsten. “Chapter 3 Argument.” Critical Reading, Critical Writing: A Handbook to Understanding College Composition, Howard Community College (MD), pressbooks.howardcc.edu/criticalreadingcriticalwriting/chapter/chapter-3-argument/
The term syllogism is applied to the distinctive form of argument that is the application of deductive reasoning. A syllogism includes two premises that are compared against each other in order to infer a conclusion.
The following is an example of a syllogism:
The example syllogism in the previous section is a categorical syllogism. In a categorical syllogism, the major premise will state something that will be taken as an absolute (categorical) starting point, and the minor premise will be examined against this absolute starting point in order to infer the conclusion.
Examples of categorical statements:
A categorical syllogism can be fallacious either because a premise is untrue or because the relationship between the major and minor premise does not support the conclusion.
Untrue premise leading to a fallacious conclusion:
In fact, not all swimming vertebrates are fish so the conclusion that the whale is a fish is unsound.
Relationship between major and minor premise does not support conclusion:
Certainly somewhere in the world an instructor must lack a sense of humor, so let us agree that the major premise is true. Let us also agree that the Kim in the minor premise is an instructor. Still, the conclusion is unsound because it is impossible to determine whether Kim belongs to the group that lacks a sense of humor. A major premise that
states that only some members of a group have a characteristic can never set the stage for concluding that any particular member of the group has that characteristic.
An alternative name for the if/then syllogism is the hypothetical syllogism, but you may find it handy to use the if/then label because the characteristic sign of such a syllogism is the ‘if/then’ in the major premise. Here are the two common forms:
If/Then Syllogism Form #1 | If/Then Syllogism Form #2 |
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Example:
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Example:
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Example: We can test an IF/THEN syllogism for faulty logic.
Premise: If a voter votes in person and presents an ID, then their vote is a valid vote. Minor Premise: Jenny voted in person and presented an ID. Conclusion: Therefore, Jenny’s vote is valid. This IF/THEN or hypothetical syllogism presents a fallacy in logic because the major premise suggests that all people who vote in person with an ID are who they say they are. That may not be true. Jenny may not, in fact be Jenny, but her sister or other voter of close resemblance, ethnicity, and age. Note: these last two syllogisms were created by Cynthia Kiefer to illustrate how a syllogism can help writers test the soundness of logic on which they base their arguments. |
Here’s another syllogism with an actual statistic in the minor premise:
Premise: If a voter votes by a mail-in ballot, then their vote is not a valid vote. Minor Premise: Ninety percent of Arizonans voted in 2020 with mail-in ballots (Medina, par. 3). Conclusion: Therefore, almost 90 percent of the votes in Arizona were not valid. Is it true that 90% of voters are not who they say they are (that’s assumption behind the premise) and their votes shouldn’t count? No. Were they counted? Yes, according to the Arizona Republic. The syllogism’s major premise does not hold up as “true.” Testing your major premise and the assumptions underlying it can help you see the flaw in your logical reasoning. Once you understand how to determine if you are operating from a valid premise that your audience will accept, you can ensure your argument is based in a sound premise. |
Remember that a syllogism may be fallacious if a premise is false. In the case of the either/or fallacy, the major premise must accurately capture a logical relationship—that is, the ‘if’ must actually be a condition for the ‘then’. An if/then syllogism also may be fallacious if the major premise oversimplifies matters by identifying only one condition when in fact several are necessary.
Example of a fallacious if/then syllogism:
What if the student’s major has a GPA requirement as well? For example, a department may require a 2.5 GPA for all courses taken for the major.
from “Chapter 4: Making Mistakes in Reasoning.” Introduction to Ethics, Lumen Learning, n.d., courses.lumenlearning.com/atd-epcc-introethics-1/chapter/syllogisms/. License: Public Domain: No Known Copyright
RHETORICAL STRATEGIES: BUILDING COMPELLING ARGUMENTS
This content is provided by Emilie Zickel in English 102: Reading, Research, and Writing. This text is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. In this selection, we have added additional content to the section on the ethical appeal.
Rhetoric pertains to how authors use and manipulate language in order to persuade an audience.
To be rhetorically effective (and thus persuasive), an author must engage the audience in a variety of compelling rhetorical appeals. We can classify these as Logos, Pathos, and Ethos.
Logic. Reason. Rationality. Logos is brainy and intellectual, cool, calm, collected, objective.
Logically sound writing often includes many examples to support a point – and those examples come from citation of credible data and statistics, reference to sound theories, reference valid research conducted by credible organizations.
Logical appeals rest on rational modes of thinking, such as
“>claim. It is important that the comparison is fair and valid – the things being compared must share significant traits of similarity.
“>claim. Be careful with the latter – it can be difficult to predict that something “will” happen in the future.
“>claim/example and then use it to justify a in a smaller <a class=”glossaryLink ” style=”color: #2393bd;text-decoration: none !important;background-color: transparent;border-bottom: 1px dotted” href=”https://pressbooks.ulib.csuohio.edu/eng-102/key-terms/claim/” data-cmtooltip=”A claim is a type of argumentative thesis – we usually call it a claim when it is being used in a persuasive essay. Claims need to be defended by you with logical, persuasive reasoning. Claims can also be challenged.
The most common types of claims are
“>claim
Pathos: Appeal to Emotions
Pathos is deeply human – an author using pathetic appeals wants the audience to feel something: anger or pride or joy or rage or happiness. Pathetic appeals rest on emotion-based modes of communication . To engage the audience on an emotional level, the author may
Pathos-based strategies are any strategies that get the audience to “open up” to the topic or to the author. Emotions can make us vulnerable, and rhetors can use this vulnerability to get the audience on his or her side.
Ethical appeals have two facets.
External ethos is supported when a rhetor cites an expert or moral authority. For example, if you quote a scholarly researcher with expertise in a field, you are creating ethos. Sometimes that expert also conveys information within the quote from an expert, so this support serves two function. One the one hand, an ethical appeal also taps into the values that the audience holds, for example, patriotism, tradition, justice, equality, dignity for all humankind, self preservation, or other specific social, religious or philosophical values (Christian values, socialism, capitalism, feminism, etc). These values can sometimes feel very close to emotions, but they are felt on a social level rather than only on a personal level. If an author can evoke the values that the audience cares about in his or her argument, then he or she has a chance of persuading that audience because the audience will feel that the author is making an argument that is “right” (in the sense of moral “right”-ness).
This sense of referencing what is “right” in an ethical appeal connects to the moral character of the speaker/author – the author’s internal ethos. The author may draw attention to who he or she is as a way to engage the audience (i.e., “Because I support this – and you all you trust me because we share the same values! – you should, too”). If an author can present his or her moral character, one that the audience trusts because they (author and audience) share values, then he or she has a chance of persuading that audience. In this sense, the audience will feel that the author is the right person to make this argument and should therefore be believed. Another way to build your audience’s sense of your internal ethos is to use rhetoric and evidence responsibly. Your argument should reflect sound reasoning and sufficient and highly credible ethos. That is, how you use external ethos, logos, and the emotional appeals in presenting your argument reflects your internal ethos or trustworthiness.
In building ethical appeals, we see authors
This section is from A Guide to Rhetoric, Genre, and Success in First-Year Writing by Emilie Zickel is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.
In a strong essay, the author or writer’s own A thesis is the writer’s central point (clear, concise, and limited) that provides the foundation for the rest of the essay. Most often located at the end of the introduction, the thesis establishes the core idea that the rest of the essay will develop. It should never be expressed as a question. A thesis can be explanatory or argumentative; if a thesis is argument-based, it is sometimes referred to as a claim. “>thesis and reasoning drive the argument, and then credible, valid evidence is used to support that reasoning. Arguments, in particular, are interactions between writer and audience. The author wants to persuade the audience to accept his or her <a class=”glossaryLink ” style=”color: #2393bd;text-decoration: none !important;background-color: transparent;border-bottom: 1px dotted” href=”https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/glossary/claim/” data-cmtooltip=”
A claim is a type of argumentative thesis – we usually call it a claim when it is being used in a persuasive essay. Claims need to be defended by you with logical, persuasive reasoning. Claims can also be challenged.
The most common types of claims are
“>claim, so he or she tries to provide sufficient compelling evidence that will sway the audience to his or her perspective.
Research questions might be easy to come up with. Claims or A thesis is the writer’s central point (clear, concise, and limited) that provides the foundation for the rest of the essay. Most often located at the end of the introduction, the thesis establishes the core idea that the rest of the essay will develop. It should never be expressed as a question. A thesis can be explanatory or argumentative; if a thesis is argument-based, it is sometimes referred to as a claim. “>thesis statements can be easy to come up with. Even reasons or ideas to support the <a class=”glossaryLink ” style=”color: #2393bd;text-decoration: none !important;background-color: transparent;border-bottom: 1px dotted” href=”https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/glossary/thesis/” data-cmtooltip=”A thesis is the writer’s central point (clear, concise, and limited) that provides the foundation for the rest of the essay. Most often located at the end of the introduction, the thesis establishes the core idea that the rest of the essay will develop. It should never be expressed as a question. A thesis can be explanatory or argumentative; if a thesis is argument-based, it is sometimes referred to as a claim. “>thesis or <a class=”glossaryLink ” style=”color: #2393bd;text-decoration: none !important;background-color: transparent;border-bottom: 1px dotted” href=”https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/glossary/claim/” data-cmtooltip=”
A claim is a type of argumentative thesis – we usually call it a claim when it is being used in a persuasive essay. Claims need to be defended by you with logical, persuasive reasoning. Claims can also be challenged.
The most common types of claims are
“>claim may be fairly easy to come up with. But for your ideas in a paper to be valid, for them to be accepted by a reader, they must be supported and developed with solid, credible, sufficient, accurate, relevant and compelling evidence.
Evidence is not simply “a bunch of quotes”. Nor is evidence a bunch of facts or statistics from an article, no matter how credible that article may be. For evidence to truly work in the sense of supporting an A thesis is the writer’s central point (clear, concise, and limited) that provides the foundation for the rest of the essay. Most often located at the end of the introduction, the thesis establishes the core idea that the rest of the essay will develop. It should never be expressed as a question. A thesis can be explanatory or argumentative; if a thesis is argument-based, it is sometimes referred to as a claim. “>thesis/<a class=”glossaryLink ” style=”color: #2393bd;text-decoration: none !important;background-color: transparent;border-bottom: 1px dotted” href=”https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/glossary/claim/” data-cmtooltip=”
A claim is a type of argumentative thesis – we usually call it a claim when it is being used in a persuasive essay. Claims need to be defended by you with logical, persuasive reasoning. Claims can also be challenged.
The most common types of claims are
“>claim, it has to be accurate, sufficient to prove your point, directly related to the reason, ethically chosen, current, and credible. That is a lot to think about. It is certainly more than “a quote that looks good”.
Here are some things to think about avoiding when attempting to develop a strong source-based essay. Just as understanding what logical fallacies are so you can avoid them in your own writing, understand what weak evidence is can help you to avoid falling into the trap of using it in your own work.
Failures in evidence occur when a reader says, “I do not accept your evidence”. Here is why that might happen:
One of the bigger issues with evidence is not so much with the evidence itself, but with the way that you integrate it into the paper. A reader needs to understand clearly how and why the evidence you chose relates to the point that you are making. As noted in Section 4.4. evidence must always be explained. Whenever you integrate evidence into your papers, it is important to answer the question “How does this evidence support the point that I am making?”. Never assume that the reader sees what you see in evidence. Always make it as clear as possible how the evidence supports the reason. It may be useful to you to draft your papers with Section 4.4 ready for reference so that you can avoid the pitfall of evidence with no explanation.
When you write a paper based on research, you typically blend a variety of evidence from multiple sources. That is, you synthesize your research and integrate it into your argument or report to support your claims and subclaims. most of you have had experience synthesizing information this way. We use synthesis across many genres and for different purposes. In another type of synthesis, you may have used synthesis in analysis or critique papers, comparing how two different authors critique a performance, film, or literary piece or two different poems about the same concept.
In composition and rhetoric courses, a common form of synthesis paper instructors assign to students is the argument analysis of two different viewpoints on the same issue. The arguments students analyze are typically written as newspaper editorials, commentary pieces, and viewpoint essays. Instructors may assign the argumentative pieces, or you may select your own on a topic you find most interesting.
Some instructors will assign text sets for a synthesis essay project while others will ask you to research and select your own source material for a synthesis assignment. If you are asked to select your own viewpoint texts for a synthesis essay, take time to carefully consider the sources and the authors’ biases and motivations for their arguments.
From debates about which sports team are the best to whether self-driving cars are the transportation of the future, there are as many viewpoints as there are ice cream flavors exist.
On the topic of ice cream flavors, my opinion is that cookies and cream is the tastiest. Why do I think it is the best? First, it is made with Oreo cookies, my favorite chocolate cookie. However when it comes to ice cream, I prefer a vanilla to a chocolate base, and cookies and cream’s base flavor is a creamy vanilla. On the surface, these are pretty solid argumentative points for a low stakes ice cream debate based on my flavor preferences, and my explanation would probably satisfy your curiosity without a need for further evidence or explanation.
However, let’s complicate the frozen dessert conversation. What if you were to learn that I was employed by Nabisco as the Oreo product sales manager for the western region? Do you think this information is important? How might this fact influence my preference for cookies and cream ice cream? Would you wonder if it is my favorite because I really do love Oreos, or because if I pump it up enough to people I talk to, it will help my job as an Oreo sales manager?[1] Regardless, knowing what my job is could help YOU determine if you think my opinion is an honest representation of my flavor preferences or based on a bias or agenda I might have (like selling more Oreos and Oreo products!).
Of course, this is a simplified example of the way personal connections to a topic bias our perspectives and bias our opinions, but you can see how even a harmless topic like ice cream
can quickly get muddled when we introduce the element of bias and/or a motivated agenda. Understanding the basis of a given opinion or viewpoint can help you determine theRemember, most people are sales managers of their opinions, whether their opinions were logically derived and based on credible evidence or whether they are based on their emotional beliefs or personal benefit. validity of the argument. Remember, most people are sales managers of their opinions whether those opinions were logically derived and based on credible evidence or whether they are based on their emotional beliefs or personal benefit. One might be selling Oreo cookies or one might be “selling” one’s opinions about voting rights legislation.
The Opposing Viewpoints library database, is a great resource where you can find articles with differing viewpoints and opinions on various topics. Watch the video to learn how to find these articles.
More complex and controversial topics such as healthcare and climate change are breeding grounds for opinions filled with underlying agendas, biases, and emotional reasoning. As a rhetorical researcher and critical thinker, you must understand how to critically read, listen to, and analyze a range of viewpoints with an impartial eye. Some of these viewpoints will
be based on valid premises and credible evidence while others will be based on personal, political, religious, or economic biases or agendas that distort the foundational premises you would expect of a valid argument. When assessing and comparing several two viewpoints on the same issue, a critical thinker and rhetorically aware person will not “buy” arguments based on illogical or unsound premises,“In the rhetorical paradigm, what constitutes information cannot be divorced from the community/audience. the purpose, and the structure of a disciplinary threshold concept.” — Joshua Hill in Teaching Information Literacy and Writing Studies : Volume 1 (40) emotional reasoning, and/or provably incorrect, insufficient, and/or unethical evidence.
For example, if a person presents an argument that all voters must vote in person with ID or not have their vote counted, they are working from a warrant or assumption that a vote made in person is less likely than a mail-in vote to be fraudulent. This leads them to the major premise that the only valid vote is one made when a person is physically present. Does that premise stand up to critical analysis? Is it true that votes made in person with an ID are the only valid votes? Since mail in voting has been successful and stood up to voting audits embedded in each state’s counting processes every year in many states for over ten years, the warrant is flawed and the major premise is not true. The argument falls apart because the argument’s basic assumptions and premise do not hold up to logic based on available and credible evidence.
The following two syllogisms illustrate the faulty premise at play in these examples.
This categorical syllogism presents a fallacy in logic because the major premise suggests that all people who vote in person are who they say they are. That may not be true. Jenny may not, in fact be Jenny, but her sister.
We can test an IF/THEN syllogism as well.
This IF/THEN or hypothetical syllogism presents a fallacy in logic because the major premise suggests that all people who vote in person with an ID are who they say they are. That may not be true. As explained above, Jenny may not, in fact be Jenny, but her sister or other voter of close resemblance, ethnicity, and age.
Here’s another syllogism with a different premise:
Is it true that 90% of voters are not who they say they are (that’s assumption behind the premise) and their votes should not count? The syllogism’s major premise does not hold up as “true.” Testing your major premise and the assumptions underlying it can help you see the flaw in your logical reasoning. Once you understand how to determine if you are operating from a valid premise, your audience will accept, you can ensure your argument is based on a sound premise.
It is important to learn about and contrast alternative viewpoints and opinions because
Because the overarching purpose of Claim Your Voice is to help you develop the agency to use your academic literacies to address real-world issues and achieve your academic, career, and personal goals, the key argument assignment for this chapter is centered on proposing a solution or set of solutions to solve or reduce the negative effects of a current problem or issue. Writing a solution proposal argument, as discussed in Section 4.1 in “Argument Genres” generally has two key arguments. First, you establish that there is a significant problem and argue that this problem necessitates action. You use deep research to provide evidence that there is a problem and current solutions are not adequate to address it. Then, the second part of the argument is focused on your proposed a solutions or set of solutions during which you make a clear call to action. This is a in depth project designed to engage you in a variety of activities that will take your writing, reading, research, and metaliteracy knowledge and skills to a new level. In this set of assignments, you will have the opportunity to develop your proposal and seek multiple points of feedback through a series of assignments, both written and digital.
Writing your a research question should begin with a current issue you have identified and some invention exercises.
Once you have worked through some pre-researching and writing, generate a list of questions. What do you know, for sure, that you do not know? At this point, conduct some informal pre-researching online and in the library databases to learn what the public discourse is saying about that issue. Once you have a little more information and have ascertained that sufficient information and resources are available to research the issue in depth, proceed with developing your research questions. As you learned in Chapter 3, a good research question should begin with a “How,” “In what way?,”or “Why?” question.
At this point, please return to Chapter 3 to 3.3.3 and 3.3.4 and follow the process for developing your research question and keyword research strings.
As you being researching, another useful process for understanding your topic as it is discussed in public discourse and research material is to perform a media ecology assessment. What kind of source material is available? Is the topic getting a lot of attention right now? What is going on? The assignment below will help you see a full range of the media ecosystem in which your topic is discussed (or not!).
THE MEDIA ECOLOGY SURROUNDING YOUR TOPIC
Assignment for Discussion Board Post or Small Group Sharing
Purpose
Quote to Chew On
“Media ecology is distinct from communication studies proper in its focus on the integration, interdependence, and dynamism of media and technology in human affairs. It assumes that the symbol systems and technologies people use to think with, communicate, and represent our experiences play an integral role in how we create and understand reality.” (Milberry, “Media Ecology,” Oxford Bibliographies, 2016).
Post Description
Consider what you know about the media ecology surrounding your topic. (Read the complete introduction defining and describing the term “media ecology” (Links to an external site.) on Oxford Bibliographies.) In order to get an idea of the realm information around your topic, this post assignment asks you to post your research question, then state the kinds of information from different types of media sources across a wide assortment of disciplines.
Assignment Structure
WRITE A REFLECTION PARAGRAPH: After you have completed this pre-research assignment, write a paragraph or two reflection on this exercise. What did you learn? What did you notice about the media ecology around your issue? Does the issue have public resonance? Does the issue cross several disciplinary areas? Do you believe a further investigation of this issue is warranted? Why? How might you narrow your issue or change your research question/s?
If you have created a strong series of research questions, your answers to those questions should help generate your thesis. Because a project like this is complex, you probably have two major research questions: one to build the argument supported by reasons and evidence that some action, plan or policy must be implemented. The second research question is probably more focused on finding solutions. Typically, the question “Who/what organization should do what and why?” will help you generate a solid proposal argument thesis statement.
Example: Proposal Argument Thesis Statements
Practical Argument: Social media companies should develop artificial intelligence filters and personalized messaging to help endusers restrict themselves from the exposure to unrealistic images and marketing portraying “ideal” body types in order to prevent the development of significant mental and physical health disorders.
Policy: In order to prevent the weaponization of space, governments across the world must develop and agree on a policy in line with the principles of the Outer Space Treaty of 1967 (OST) and the Prevention of the Placement of Weapons in Outer Space Treaty, The Threat or Use of Force Against Outer Space Objects (PPWT).
Identify and select a current major issue, define or frame the problem, and present feasible solutions, policies, or approaches to solve and/or at least reduce the impact of the problem in a well-developed academic essay. Follow MLA guidelines for the essay format, citations and Work Cited.
Where to begin: Research a current societal, scientific, legal, medical, political, environmental, cultural, or other significant issue. The issues can be local, national, or global in scope, but should be narrowed to a specific issue within the larger issue once you have thoroughly researched it. Learn about the background history of how the issue evolved over time and identify the issue’s relevant causes and effects. As you review the relevant research on the narrowed topic, begin to explore current solutions. What actions have stakeholders taken to address the problem? Why hasn’t the problem been solved by the stakeholders? You will discover your original solutions or approaches to the problem by critiquing the current solutions and approaches. Look for gaps – what is NOT being done that could be done. Consider solutions from other fields that have helped address similar problems. “Think out of the box,” as the cliché goes.
By conducting one or more digital projects during the proposal solution process, you can engage with your topic more deeply while educating and seeking feedback from your peers. Two digital projects to consider during the proposal solution paper process are the Explainer Video and the Infographic. These two forms of digital communication are very popular in the business world and in organizations as a means of efficiently and effectively connecting with their clients and end consumers or to general public awareness.
Prompts: Create an explainer video in which you communicate the seriousness of a problem so that your viewer will recognize its exigence. OR, create an explainer video in which you “sell” your solution as being the best approach to solving the problem. If you make the video at the beginning of the problem after you do your initial research, then making a video to create a sense of exigence and a call to action could help you connect to the topic and gather feedback from your audience. If you are creating the video while you write the paper or afterwards, then creating a pitch explainer video is a better choice.
An “explainer video” is a short video of less than two minutes that quickly communicate and pitch a service or product.
Here are two popular explainer videos to give you the idea. One features humans and the other animation. Obviously, you might do something like create a video starring yourself or your peers, integrate Google slides, home made memes, and/or basic animations. Every though you are not selling a product or service, what you are doing is providing background information on your solution proposal topic that generates exigence, that communicates that something must be done. Or, you are explaining and “selling” your solution to the problem. Doing either in two minutes will be a challenge, but a fun one!
Unroll.me. “Email Does Not Have to Suck.” Youtube, 5 Nov. 2015, youtu.be/QL26FS5daGY.
Video Citation: “What is Airbnb? Travel Tips.” Youtube, Airbnb, 24 Nov. 2014, youtu.be/dA2F0qScxrI
Vyond offers examples and gives tips on creating explainer videos that will help you develop your explainer video. This project does not have to be complicated or sophisticated, but it does have to display rhetoric at work.
Prompt: Use a tool such as Piktochart to create an infographic that provides compelling information leading to call to action that your problem must be solved or that your solutions must be implemented. An infographic has to be highly visual and easy to ready at a distance. Piktochart’s website offers videos and helpful documentation.
Key Takeaways
Bowers, Heather Hopkins, Ruggiero, Anthony, and Jason Saphara. “Argument Genres.” in Writing and Rhetoric, Colorado State University, Pueblo. csupueblo.pressbooks.pub/rhetoric/chapter/argument-genres/. Licensed CC-BY 4.0.
“Carl Rogers.” Wikipedia. n.d., en.wikipedia.org/wiki/Carl_Rogers.
“Chapter 4: Making Mistakes in Reasoning.” Introduction to Ethics, Lumen Learning, n.d., courses.lumenlearning.com/atd-epcc-introethics-1/chapter/syllogisms/. License: Public Domain: No Known Copyright
Connors, Valerie Bronstein. “How to write a Rogerian structured essay with a delayed thesis and common ground.” YouTube, 25 Nov, 2019, youtu.be/a6kt8A10Mc4.
Devries, Kirsten. “Chapter 3 Argument.” Critical Reading, Critical Writing: A Handbook to Understanding College Composition, Howard Community College (MD), pressbooks.howardcc.edu/criticalreadingcriticalwriting/chapter/chapter-3-argument/. License CC-BY-NC-SA 4.0.
Gomez, Manuela A. “Chapter 4: Making Mistakes in Reasoning.” Introduction to Ethics, Lumen Learning, n.d., courses.lumenlearning.com/atd-epcc-introethics-1/chapter/syllogisms/.
Hillocks, George. “Teaching Argument.” English Journal, p. 26.
“Humanist Psychology.” Encyclopedia Britannica, 27 May. 2020, www.britannica.com/science/humanistic-psychology.
Medina, Jennifer. “Arizona G.O.P. Passes Law to Limit Distribution of Mail Ballots.” Arizona Republic, 11 May 2021, www.nytimes.com/2021/05/11/us/politics/arizona-voting-bill.html.
Veach, Grace. Teaching Information Literacy and Writing Studies : Volume 1, First Year Composition Courses. Purdue University Press, 2019. Print.
Veach, Grace. Teaching Information Literacy and Writing Studies : Volume 2, Upper-Level and Graduate Courses. Purdue University Press, 2019. EBSCOhost, search-ebscohost-com.ezproxy.scottsdalecc.edu/login.aspx?direct=true&db=e000xna&AN=2032934&site=ehost-live&scope=site.
Zickel, Emilie. “Basic Argument Components.” English 102: Reading, Research and Writing, 2017, pressbooks.ulib.csuohio.edu/eng-102/chapter/basic-argument-components/. This book is licensed under a Creative Commons as CC-BY-NC-SA 4.0. by Emilie Zickel. It is an adaptation of About Writing: A Guide by Robin Jeffrey, which is licensed as CC-BY 4.0.
Unroll.me. “Email Does Not Have to Suck.” Youtube, 5 Nov. 2015, youtu.be/QL26FS5daGY.
Vyond Team. “What Is An Explainer Video? (Plus 5 Great Examples).” Vyond, www.vyond.com/resources/what-is-an-explainer-video/.
“What is Airbnb? Travel Tips.” Youtube, Airbnb, 24 Nov. 2014, youtu.be/dA2F0qScxrI
Article links:
"Style" provided by Writing Commons
CONTENT DESCRIPTION
https://www.youtube.com/watch?time_continue=6&v=zHI1kqasDXU
Although characterized as a "local concern," style is an incredibly important aspect of writing. In this section, you will learn how to craft engaging, dynamic prose and how to best communicate your information and purpose as a writer. This section includes links to information on Writing Commons.
Learn how to negotiate between formal academic writing and conversational prose by maintaining an academic tone while staying true to your own voice in Making Sure Your Voice is Present.
Reusing the same sentence pattern in your writing makes for monotonous reading. Learn to engage your readers by experimenting with different sentence patterns in Select an Appropriate Sentence Pattern. Then focus on individual sentences with the Sentence-Level Exercise.
Whereas writers in the sciences tend to use passive voice in research reports, writers in other fields such as the humanities emphasize the importance of active voice. Learn to revise sentences to make them active and more engaging in Use the Active Voice. Another key to crafting engaging prose is to maintain a high verb-to-noun ratio.
Different genres call for different points of view. Most students assume that academic papers should be written in the third person, but the first person has become increasingly accepted in more formal genres. Learn when the first person is an appropriate choice and how to successfully use first-person pronouns in Use the First Person, The First Person, and Using the First Person in Academic Writing: When is It Okay? To better understand why second-person pronouns should not be used in academic writing, read Understanding Second Person Point of View: Wizard Activity.
When detailing their own ideas or the ideas of other scholars, successful writers communicate information in a clear and concrete manner. Learn how to craft concrete sentences in Avoid Vagueness and how to write clear, concise sentences in Write with Clarity. When appropriate, writers include figurative language in their texts. Learn why they do this and how to successfully employ figurative language in Incorporate Figurative Language into Your Paper.
Being able to identify and address grammatical mistakes is important because those errors can not only make your draft appear sloppy, but they can also change the meaning of your sentences and confuse your reader. Enhance your understanding of grammatical principles by reading Subject-Verb Agreement, Subject-Pronoun Agreement, and Avoid Vague Pronoun References.
Learn how to use proper punctuation.
Below is a summary of how to punctuate different sentence patterns and how to analyze the likely effect of different syntactical forms on readers' comprehension.
Key Terms
style
commas
dashes
colons
semicolons
Licenses and Attributions
CC LICENSED CONTENT, ORIGINAL
Composing Ourselves and Our World, Provided by: the authors. License: Attribution 4.0 International (CC BY 4.0)
CC LICENSED CONTENT INCLUDED
Video: My Reviewers Video Series: In Style. By FYC at USF, published March 6, 2012. located on YouTube: https://www.youtube.com/watch?time_continue=6&v=zHI1kqasDXU
Style, Written by Joe Moxley. Writing Commons. licensed by a CC BY-NC-ND 3.0 or CC BY-NC-SA 3.0
The article “Pronouns and Bathrooms: Supporting Transgender Students,” featured on Edutopia, was written to give educators a few key points when enacting the role of a truly (gender) inclusive educator. It is written specifically to high-school level educators, but I feel that almost all of the rules that should apply to a person who is transgender or gender-expansive at any age or grade level. The information is compiled by several interviews done with past and present high school students who identify with a trans-identity. The key points of advice stated are supported by personal statements made by past or present students that identify with a trans-identity.
The first point of advice is to use the student’s preferred name and/or pronoun. These are fundamental to the formation of identity and demand respect. The personal interview used in correlation with the advice details how the person ended up dropping out of high school after transferring twice due to teachers refusing to use their preferred name and pronoun. This is an all-too-common occurrence. The trans community recommend that schools and administrators acquire updated gender-inclusive documentation and update documentation at the request of the student to avoid misrepresentation and mislabeling. When you use the student’s preferred name and pronoun in and out of the classroom you are showing the student you sincerely care for their well-being and the respect of their identity.
The second and other most common recommendation is to make “trans-safe” (single-use, unisex or trans-inclusive) bathrooms widely available to students. Often these facilities either do not exist at all or are few-and-far-between, usually inconveniently located, and may not even meet ADA standards. This is crucial to insuring safety for trans-identified students.
Other recommendations are that schools engage in continual professional development training to insure that teachers are the best advocates for their students. Defend and protect students from physical and verbal abuse. Create a visibly welcoming and supportive environment for trans-identified students by creating support groups, curriculum and being vocal about your ally status.
The last piece of the article tells us a person who is trans simply wants to be viewed as human—a fully actualized human. I agree whole-heartedly. I believe that
everyone has this desire. I agree with the recommendations of the participants that these exhibitions of advocacy are indeed intrinsic to the role of gender-expansive ally-ship.
While they may not be the most salient of actions of advocacy, they are the most foundational parts. These actions are the tip of the iceberg, but they must be respected. Being a true ally to the gender-expansive and transgender communities means continually expanding your awareness of trans issues. I am thankful these conversations are being had and am excited for the future of humanity.
Works Cited
Wiggs, Blake. “Pronouns and Bathrooms: Supporting Transgender Students.” Edutopia, 28 September 2015, https://www.edutopia.org/blog/pronouns-bathrooms-supporting-transgender-students-blake-wiggs.
Teacher Takeaways “The author maintains focus on key arguments and their own understanding of the text’s claims. By the end of the summary, I have a clear sense of the recommendations the authors make for supporting transgender students. However, this piece could use more context at the beginning of each paragraph: the student could clarify the logical progression that builds from one paragraph to the next. (The current structure reads more like a list.) Similarly, context is missing in the form of citations, and no author is ever mentioned. Overall this author relies a bit too much on summary and would benefit from using a couple direct quotations to give the reader a sense of the author’s language and key ideas. In revision, this author should blend summaries, paraphrases, and quotes to develop this missing context.”– Professor Dannemiller
Almost every student has had an unpleasant experience with an educator. Many times this happens due to the irrelevant problems posed by educators and arbitrary assignments required of the student. In his chapter from Pedagogy of the Oppressed, Paulo Freire centers his argument on the oppressive and unsuccessful banking
education method in order to show the necessity of a problem-posing method of education.
Freire begins his argument by intervening into the conversation regarding teaching methods and styles of education, specifically responding in opposition to the banking education method, a method that “mirrors the oppressive society as a whole” (73). He describes the banking method as a system of narration and depositing of information into students like “containers” or “receptacles” (72). He constructs his argument by citing examples of domination and mechanical instruction as aspects that create an assumption of dichotomy, stating that “a person is merely in the world, not with the world or with others” (75). Freire draws on the reader’s experiences with this method by providing a list of banking attitudes and practices including “the teacher chooses and enforces his choices, and the students comply” (73), thus allowing the reader to connect the subject with their lived experiences.
In response to the banking method, Freire then advocates for a problem-posing method of education comprised of an educator constantly reforming her reflections in the reflection of the students. He theorizes that education involves a constant unveiling of reality, noting that “they come to see the world not as a static reality but as a reality in process, in transformation” (83). Thus, the problem-posing method draws on discussion and collaborative communication between students and educator. As they work together, they are able to learn from one another and impact the world by looking at applicable problems and assignments, which is in direct opposition of the banking method.
While it appears that Freire’s problem-posing method is more beneficial to both the student and educator, he fails to take into account the varying learning styles of the students, as well as the teaching abilities of the educators. He states that
through the banking method, “the student records, memorizes, and repeats these phrases without perceiving what four times four really means, or realizing the true significance” (71). While this may be true for many students, some have an easier time absorbing information when it is given to them in a more mechanical fashion. The same theory applies to educators as well. Some educators may have a more difficult time communicating through the problem-posing method. Other educators may not be as willing to be a part of a more collaborative education method.
I find it difficult to agree with a universal method of education, due to the fact that a broad method doesn’t take into consideration the varying learning and communication styles of both educator and student. However, I do agree with Freire on the basis that learning and education should be a continuous process that involves the dedication of both student and educator. Students are their own champions and it takes a real effort to be an active participant in one’s own life and education. It’s too easy to sit back and do the bare minimum, or be an “automaton” (74). To constantly be open to learning and new ideas, to be a part of your own education, is harder, but extremely valuable.
As a student pursuing higher education, I find this text extremely reassuring. The current state of the world and education can seem grim at times, but after reading this I feel more confident that there are still people who feel that the current systems set in place are not creating students who can critically think and contribute to the world. Despite being written forty years ago, Freire’s radical approach to education seems to be a more humanistic style, one where students are thinking authentically, for “authentic thinking is concerned with reality” (77). Problem-posing education is one that is concerned with liberation, opposed to oppression. The banking method doesn’t allow for liberation, for “liberation is a praxis: the action and reflection of men and women upon their world in order to transform it” (79). Educational methods should prepare students to be liberators and transformers of the world, not containers to receive and store information.
Works Cited
Freire, Paulo. “Chapter 2.” Pedagogy of the Oppressed, translated by Myra Bergman Ramos, 30th Anniversary Edition, Continuum, 2009, pp. 71-86.
Teacher Takeaways “I love that this student combines multiple forms of information (paraphrases, quotes, and summaries) with their own reactions to the text. By using a combined form of summary, paraphrase, and quote, the student weaves ideas from the text together to give the reader a larger sense of the author’s ideas and claims. The student uses citations and signal phrases to remind us of the source. The student also does a good job of keeping paragraphs focused, setting up topic sentences and transitions, and introducing ideas that become important parts of their thesis. On the other hand, the reader could benefit from more explanation of some complex concepts from the text being analyzed, especially if the author assumes that the reader isn’t familiar with Freire. For example, the banking method of education is never quite clearly explained and the reader is left to derive its meaning from the context clues the student provides. A brief summary or paraphrase of this concept towards the beginning of the essay would give us a better understanding of the contexts the student is working in.”– Professor Dannemiller
CHAPTER DESCRIPTION
Discusses: direct quote, paraphrase, response, and summary
As you sharpen your analytical skills, you might realize that you should use evidence from the text to back up the points you make. You might use direct quotes as support, but you can also consider using summary.
A summary is a condensed version of a text, put into your own words. Summarizing is a useful part of the analytical process because it requires you to read the text, interpret and process it, and reproduce the important points using your own language. By doing so, you are (consciously or unconsciously) making choices about what matters, what words and phrases mean, and how to articulate their meaning.
Often (but not always), response refers to a description of a reader’s experience and reactions as they encounter a text. Response papers track how you feel and what you think as you move through a text. More importantly, responses also challenge you to evaluate exactly how a text acts upon you—to make you feel or think a certain way—using language or images. While a response is not an analysis, it will help you generate ideas for the analytical process.
direct quote | the verbatim use of another author’s words. Can be used as evidence to support your claim, or as language to analyze/close-read to demonstrate an interpretation or insight. |
paraphrase | author reiterates a main idea, argument, or detail of a text in their own words without drastically altering the length of the passage(s) they paraphrase. Contrast with summary. |
response | a mode of writing that values the reader’s experience of and reactions to a text. |
summary | a rhetorical mode in which an author reiterates the main ideas, arguments, and details of a text in their own words, condensing a longer text into a smaller version. Contrast with paraphrase. |
If you ever watch TV shows with a serial plot, you might be familiar with the phrase “Previously, on _________.” The snippets at the beginning of an episode are designed to remind the viewer of the important parts of previous episodes—but how do makers of the show determine what a viewer needs to be refreshed on? And why am I watching full episodes if they’ll just tell me what I need to know in the first minute of the next episode?
Typically, the makers of the show choose short, punchy bits that will be relevant in the new episode’s narrative arc. For instance, a “Previously, on The Walking Dead” might have a clip from ten episodes ago showing zombies invading Hershel’s farm if the new episode focuses on Hershel and his family. Therefore, these “previously ons” hook the viewer by showcasing only exciting parts and prime the viewer for a new story by planting specific details in their mind. Summaries like this are driven by purpose, and consequently have a specific job to do in choosing main points.
You, too, should consider your rhetorical purpose when you begin writing summary. Whether you are writing a summary essay or using summary as a tool for analysis, your choices about what to summarize and how to summarize it should be determined by what you’re trying to accomplish with your writing.
As you engage with a text you plan to summarize, you should begin by identifying main points, recurring images, or concerns and preoccupations of the text. (You may find the Engaged Reading Strategies appendix of this book useful.) After reading and rereading, what ideas stick with you? What does the author seem distracted by? What keeps cropping up?
As you read and reread a text, you should take regular breaks to check in with yourself to track your reactions. Are you feeling sympathetic toward the speaker, narrator, or author? To the other characters? What other events, ideas, or contexts are you reminded of as you read? Do you understand and agree with the speaker, narrator, or author? What is your emotional state? At what points do you feel confused or uncertain, and why?
Try out the double-column note-taking method. As illustrated below, divide a piece of paper into two columns; on the left, make a heading for “Notes and Quotes,” and on the right, “Questions and Reactions.” As you move through a text, jot down important ideas and words from the text on the left, and record your intellectual and emotional reactions on the right. Be sure to ask prodding questions of the text along the way, too.
Notes and Quotes | Questions and Reactions |
Summarizing requires you to make choices about what matters, what words and phrases mean, and how to articulate their meaning.
Once you have read and re-read your text at least once, taking notes and reflecting along the way, you are ready to start writing a summary. Before starting, consider your rhetorical situation: What are you trying to accomplish (purpose) with your summary? What details and ideas (subject) are important for your reader (audience) to know? Should you assume that they have also read the text you’re summarizing? I’m thinking back here to the “Previously on…” idea: TV series don’t include everything from a prior episode; they focus instead on moments that set up the events of their next episode. You too should choose your content in accordance with your rhetorical situation.
I encourage you to start off by articulating the “key” idea or ideas from the text in one or two sentences. Focus on clarity of language: start with simple word choice, a single idea, and a straightforward perspective so that you establish a solid foundation.
The authors support feminist theories and practices that are critical of racism and other oppressions.
Then, before that sentence, write one or two more sentences that introduce the title of the text, its authors, and its main concerns or interventions. Revise your key idea sentence as necessary.
In “Why Our Feminism Must Be Intersectional (And 3 Ways to Practice It),” Jarune Uwuajaren and Jamie Utt critique what is known as ‘white feminism.’ They explain that sexism is wrapped up in racism, Islamophobia, heterosexism, transphobia, and other systems of oppression. The authors support feminist theories and practices that recognize intersectionality.
Your next steps will depend largely on the reasons you are summarizing. Has your teacher asked you to summarize objectively, reproducing the ideas of the text without adding your own ideas or reactions? Have they asked you to critique the article, by both showing understanding and then pushing back against the text? Follow the parameters of your assignment; they are an important element of your rhetorical situation.
In most summary assignments, though, you will be expected to draw directly from the article itself by using direct quotes or paraphrases in addition to your own summary.
Whether you’re writing a summary or broaching your analysis, using support from the text will help you clarify ideas, demonstrate your understanding, or further your argument, among other things. Three distinct methods, which Bruce Ballenger refers to as “The Notetaker’s Triad,” will allow you to process and reuse information from your focus text.[3]
A direct quote might be most familiar to you: using quotation marks (“ ”) to indicate the moments that you’re borrowing, you reproduce an author’s words verbatim in your own writing. Use a direct quote if someone else wrote or said something in a distinctive or particular way and you want to capture their words exactly.
Direct quotes are good for establishing ethos and providing evidence. In a text wrestling essay, you will be expected to use multiple direct quotes: in order to attend to specific language, you will need to reproduce segments of that language in your analysis.
Whether you are quoting, paraphrasing, or summarizing, you must always include an appropriate citation.For support on citations, visit your Writing Center, access the Purdue OWL, or ask your teacher and classmates for support.
Paraphrasing is similar to the process of summary. When we paraphrase, we process information or ideas from another person’s text and put it in our own words. The main difference between paraphrase and summary is scope: if summarizing means rewording and condensing, then paraphrasing means rewording without drastically altering length. However, paraphrasing is also generally more faithful to the spirit of the original; whereas a summary requires you to process and invites your own perspective, a paraphrase ought to mirror back the original idea using your own language.
Paraphrasing is helpful for establishing background knowledge or general consensus, simplifying a complicated idea, or reminding your reader of a certain part of another text. It is also valuable when relaying statistics or historical information, both of which are usually more fluidly woven into your writing when spoken with your own voice.
Summary, as discussed earlier in this chapter, is useful for “broadstrokes” or quick overviews, brief references, and providing plot or character background. When you summarize, you reword and condense another author’s writing. Be aware, though, that summary also requires individual thought: when you reword, it should be a result of you processing the idea yourself, and when you condense, you must think critically about which parts of the text are most important. As you can see in the example below, one summary shows understanding and puts the original into the author’s own words; the other summary is a result of a passive rewording, where the author only substituted synonyms for the original.
“On Facebook, what you click on, what you share with your ‘friends’ shapes your profile, preferences, affinities, political opinions and your vision of the world. The last thing Facebook wants is to contradict you in any way” (Filloux).[4] | Original Quote |
On Facebook, the things you click on and share forms your profile, likings, sympathies, governmental ideas and your image of society. Facebook doesn’t want to contradict you at all (Filloux). | Try again. |
When you interact with Facebook, you teach the algorithms about yourself. Those algorithms want to mirror back your beliefs (Filloux).
|
Good. |
Each of these three tactics should support your summary or analysis: you should integrate quotes, paraphrases, and summary with your own writing. Below, you can see three examples of these tools. Consider how the direct quote, the paraphrase, and the summary each could be used to achieve different purposes.
Original Passage
It has been suggested (again rather anecdotally) that giraffes do communicate using infrasonic vocalizations (the signals are verbally described to be similar—in structure and function—to the low-frequency, infrasonic “rumbles” of elephants). It was further speculated that the extensive frontal sinus of giraffes acts as a resonance chamber for infrasound production. Moreover, particular neck movements (e.g. the neck stretch) are suggested to be associated with the production of infrasonic vocalizations.[5]
Quote | Paraphrase | Summary |
Some zoological experts have pointed out that the evidence for giraffe hums has been “rather anecdotally” reported (Baotic et al. 3). However, some scientists have “speculated that the extensive frontal sinus of giraffes acts as a resonance chamber for infrasound production” (Ibid. 3). | Giraffes emit a low-pitch noise; some scientists believe that this hum can be used for communication with other members of the social group, but others are skeptical because of the dearth of research on giraffe noises. According to Baotic et al., the anatomy of the animal suggests that they may be making deliberate and specific noises (3). | Baotic et al. conducted a study on giraffe hums in response to speculation that these noises are used deliberately for communication. |
The examples above also demonstrate additional citation conventions worth noting:
In Chapter Six, we will discuss integrating quotes, summaries, and paraphrases into your text wrestling analysis. Especially if you are writing a summary that requires you to use direct quotes, I encourage you to jump ahead to “Synthesis: Using Evidence to Explore Your Thesis” in that chapter.
Practice summary and response using a movie or an episode of a television show. (Although it can be more difficult with a show or movie you already know and like, you can apply these skills to both familiar and unfamiliar texts.)
Food critics often employ summary and response with the purpose of reviewing restaurants for potential customers. You can give it a shot by visiting a restaurant, your dining hall, a fast-food joint, or a food cart. Before you get started, consider reading some food and restaurant reviews from your local newspaper. (Yelp often isn’t quite thorough enough.)
Bring a notepad to your chosen location and take detailed notes on your experience as a patron. Use descriptive writing techniques (see Chapter One), to try to capture the experience.
After your dining experience, write a brief review of the restaurant, dining hall, fast-food restaurant, or food cart. What was it like, specifically? Did it meet your expectations? Why or why not? What would you suggest for improvement? Would you recommend it to other diners like you?
For this exercise, you will study a social media feed of your choice. You can use your own or someone else’s Facebook feed, Twitter feed, or Instagram feed. Because these feeds are tailored to their respective user’s interests, they are all unique and represent something about the user.
After closely reviewing at least ten posts, respond to the following questions in a brief essay:
COMPOSITION TITLES |
DESCRIPTON |
LINK |
Successful College Composition (2016) | Chapters include: Introduction to writing, the writing process, rhetorical modes, writing a research paper, and grammar. | https://oer.galileo.usg.edu/cgi/viewcontent.cgi?article=1007&context=english-textbooks
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Write What Matters (2020- 2021)
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Comprehensive. Includes lessons, examples, exercises, and definitions for many of the reading and writing-reading situations in a first year composition class. | https://idaho.pressbooks.pub/write/
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Academic Writing I
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Overview of the writing process and writing modes. | https://library.achievingthedream.org/tc3academicwriting1/
|
Composition I Co-requisite |
Companion course designed to accompany English Composition.
|
https://courses.lumenlearning.com/englishcomp1coreq/?utm_referrer=https%3A%2F%2Foer.suny.edu%2F |
Writing Unleashed: Argument (2019)
Writing Unleashed: Reader (2019) |
Flipbooks created by the College of Science at North Dakota State. | https://issuu.com/scrible77/docs/writing_unleashed_argument_oer_2019final
https://issuu.com/scrible77/docs/2019readeroer_eng110120
|
Culturally Responsive Composition (2023)
|
Discusses the stages of the essay writing process with relevant links, exercises, and downloadable handouts. | https://mhcc.pressbooks.pub/culturallyresponsivecomposition/
|
A Writer's Guide to Mindful Reading (2017)
|
Part 1 addresses reading and writing connections, and Part 2 includes thematic readings with writing to comprehend exercises. |
https://wac.colostate.edu/books/practice/mindful/
|
Arguing Through Writing (2020) |
The textbook focuses on the writing process, as well as rhetorical modes. Emphasis is on the modes of causal analysis, argument, definition, and classification. MLA style and academic writing moves are featured. |
https://dspace.sunyconnect.suny.edu/items/9b0b214a-e0e7-4816-b1e7-3805ac3a9fa3 |
The Art of Academic Writing (2021)
|
Addresses general thoughts on writing, the art of the essay, the writing process, argumentation, rhetorical modes, writing samples and assignments. | https://sites.google.com/site/writingwithpete/home
|
This article was an interesting read about finding a solution to the problem that 62% of high school students are facing — chronic sleep deprivation (less than 8 hours on school nights). While some schools have implemented later start times, this article argues for a more unique approach. Several high schools in Las Cruces, New Mexico have installed sleeping pods for students to use when needed. They “include a reclined chair with a domed sensory-reduction bubble that closes around one’s head and torso” and “feature a one-touch start button that activates a relaxing sequence of music and soothing lights” (Conklin). Students rest for 20 minutes and then go back to class. Some of the teachers were concerned about the amount of valuable class time students would miss while napping, while other teachers argued that if the students are that tired, they won’t be able to focus in class anyway. Students who used the napping pods reported they were effective in restoring energy levels and reducing stress. While that is great, there was concern from Melissa Moore, a pediatric sleep specialist, that napping during the day would cause students to sleep less during that “all-important nighttime sleep.”
Sleep deprivation is a serious issue in high school students. I know there are a lot of high school students that are very involved in extra-curricular activities like I was. I was on student council and played sports year-round, which meant most nights I got home late, had hours of homework, and almost never got enough sleep. I was exhausted all the time, especially during junior and senior year. I definitely agree that there is no point in students sitting in class if they’re so tired they can barely stay awake. However, I don’t know if sleeping pods are the best solution. Sure, after a 20-minute nap students feel a little more energetic, but I don’t think this is solving the chronic issue of sleep deprivation. A 20-minute nap isn’t solving the problem that most students aren’t getting 8 hours of sleep, which means they aren’t getting enough deep sleep (which usually occurs between hours 6-8). Everyone needs these critical hours of sleep, especially those that are still growing and whose brains are still developing. I think it would be much more effective to implement later start times. High school students aren’t going to go to bed earlier, that’s just the way it is. But having later start times gives them the opportunity to get up to an extra hour of sleep, which can make a huge difference in the overall well-being of students, as well as their level of concentration and focus in the classroom.
Works Cited
Conklin, Richard. “You Snooze, You Peruse: Some Schools Turn to Nap Time to Recharge Students.” Education World, 2017, http://www. educationworld.com/a_news/you-snooze-you-peruse-some-schools-turn-nap-time-recharge-students-33819787.
Teacher Takeaways “I appreciate that this author has a clear understanding of the article which they summarize, and in turn are able to take a clear stance of qualification (‘Yes, but…’). However, I would encourage this student to revisit the structure of their summary. They’ve applied a form that many students fall back on instinctively: the first half is ‘What They Say’ and the second half is ‘What I Say.’ Although this can be effective, I would rather that the student make this move on the sentence level so that paragraphs are organized around ideas, not the sources of those ideas.”– Professor Wilhjelm
This article was an interesting read about finding a solution to the problem that 62% of high school students are facing — chronic sleep deprivation (less than 8 hours on school nights). While some schools have implemented later start times, this article argues for a more unique approach. Several high schools in Las Cruces, New Mexico have installed sleeping pods for students to use when needed. They “include a reclined chair with a domed sensory-reduction bubble that closes around one’s head and torso” and “feature a one-touch start button that activates a relaxing sequence of music and soothing lights” (Conklin). Students rest for 20 minutes and then go back to class. Some of the teachers were concerned about the amount of valuable class time students would miss while napping, while other teachers argued that if the students are that tired, they won’t be able to focus in class anyway. Students who used the napping pods reported they were effective in restoring energy levels and reducing stress. While that is great, there was concern from Melissa Moore, a pediatric sleep specialist, that napping during the day would cause students to sleep less during that “all-important nighttime sleep.”
Sleep deprivation is a serious issue in high school students. I know there are a lot of high school students that are very involved in extra-curricular activities like I was. I was on student council and played sports year-round, which meant most nights I got home late, had hours of homework, and almost never got enough sleep. I was exhausted all the time, especially during junior and senior year. I definitely agree that there is no point in students sitting in class if they’re so tired they can barely stay awake. However, I don’t know if sleeping pods are the best solution. Sure, after a 20-minute nap students feel a little more energetic, but I don’t think this is solving the chronic issue of sleep deprivation. A 20-minute nap isn’t solving the problem that most students aren’t getting 8 hours of sleep, which means they aren’t getting enough deep sleep (which usually occurs between hours 6-8). Everyone needs these critical hours of sleep, especially those that are still growing and whose brains are still developing. I think it would be much more effective to implement later start times. High school students aren’t going to go to bed earlier, that’s just the way it is. But having later start times gives them the opportunity to get up to an extra hour of sleep, which can make a huge difference in the overall well-being of students, as well as their level of concentration and focus in the classroom.
Works Cited
Conklin, Richard. “You Snooze, You Peruse: Some Schools Turn to Nap Time to Recharge Students.” Education World, 2017, http://www. educationworld.com/a_news/you-snooze-you-peruse-some-schools-turn-nap-time-recharge-students-33819787.
Teacher Takeaways “I appreciate that this author has a clear understanding of the article which they summarize, and in turn are able to take a clear stance of qualification (‘Yes, but…’). However, I would encourage this student to revisit the structure of their summary. They’ve applied a form that many students fall back on instinctively: the first half is ‘What They Say’ and the second half is ‘What I Say.’ Although this can be effective, I would rather that the student make this move on the sentence level so that paragraphs are organized around ideas, not the sources of those ideas.”– Professor Wilhjelm
When it comes to academic research, choosing a topic is often the hardest part of the process! In many instances, college instructors will provide guidelines or a broad topic for the assignment, but it’s your job to choose a narrower topic within those guidelines. Here are some questions to ask yourself before you decide on a topic to research:
It is important to select a topic that not only interests you or sparks your curiosity, but also one that is neither too broad or too narrow in scope. For example, if you are interested in climate change and wanted to choose that as a topic for your research paper, you would quickly find yourself overwhelmed with search results and information. You may find millions of search results about all different aspects of climate change, like policy, history, and the environment, and feel lost about where to begin.
An important step in the research process is narrowing down your larger topic into a smaller, more researchable topic. What is it about climate change that is most interesting to you? Is there something in particular that you've learned in class that relates to this topic that you could explore with your research? Watch the following video [3:10] to see how to recognize if your topic is too broad or too specific, and to learn some tips on what to do:
Note: Turn on closed captions with the "CC" button or use the text transcript if you prefer to read.
If you are having trouble selecting a topic or narrowing down your topic, here are some strategies that can help:
Image: "Narrowing a Topic" by Teaching & Learning, Ohio State University Libraries is licensed under CC BY 4.0
"Picking Your Topic IS Research" by NC State University Libraries is licensed under CC BY-NC-SA 3.0 US
CHAPTER DESCRIPTION
Exemplification uses one or more particular cases, or examples, to illustrate or explain a general point or an abstract concept. You have probably noticed, when on social media, watching television talk shows or listening to classroom discussions, that the most effective exchanges occur when participants support their points with specific examples. Sweeping generalizations and vague statements are not nearly as effective as specific observations, anecdotes, details and opinions. Many of the most effective essays use examples extensively. Exemplification is used in every kind of writing situation to explain and clarify, to add interest and to persuade.
It is one thing to say:
"The mayor is corrupt and should not be reelected"
and quite another to illustrate your point by saying:
"The mayor should not be reelected because he has fired two city workers who refused to contribute to his campaign fund, has put his family and friends on the city payroll and has used public employees to make improvements to his home."
The difference? Proper and effective use of exemplification.
Here's and example that how the primary concept is made more clear and more concrete by specific examples .
Whether we are evaluating a piece of writing or writing our own essays, exemplification can be a very useful tool in helping us better understand and communicate complicated and abstract concepts. As you have seen from the lecture, videos and reading, there are few ways to more vividly represent an idea in the minds of your readers than the proper and effective use of exemplification.
Writers use exemplification extensively in every kind of writing situation to explain and clarify, to add interest and to persuade. Anytime a writer uses examples to help support or claify a point, they are using exemplification. Sometimes examples are used to help the writer develop another kind of essay (definition, comparison/contrast, cause/effect, etc.) and other times exemplification becomes the primary pattern of development for the essay itself (as with the Brett Staples essay you are reading this week).
You might wonder how exemplification is different from illustration. To begin, exemplification focuses on giving examples while illustration is the broader process of making ideas clearer by using examples, diagrams or pictures. In this type of essay, examples act as supporting material to explain or clarify the generalization.
The examples we select to illustrate a point do not need to be the only examples of the concept we are trying to define but they must be relevant, reliable and representative of that concept.
CHAPTER DESCRIPTION
You may also download this chapter from Parlor Press or WAC Clearinghouse.
Writing Spaces is published in partnership with Parlor Press and WAC Clearinghouse.
CHAPTER DESCRIPTION
You may also download this chapter from Parlor Press or WAC Clearinghouse.
Writing Spaces is published in partnership with Parlor Press and WAC Clearinghouse.
CHAPTER DESCRIPTION
You may also download this chapter from Parlor Press or WAC Clearinghouse.
Writing Spaces is published in partnership with Parlor Press and WAC Clearinghouse.