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Threshold Concept: Genre

All forms of communication are rhetorical. Any time we engage in communication–written or spoken–we are engaging in a rhetorical situation, and each of those situations is unique, complex, and constantly changing. A skilled writer or speaker will always be aware of the rhetorical situation and consciously choose the best available means of persuasion for the situation.

That sounds exhausting, doesn’t it?

Every situation may be unique, but that doesn’t mean that we always have to re-invent the wheel. In fact, there are many situations that are similar to other situations, and by understanding the structures that generally work best for those rhetorical situations, we can be more efficient.

That’s where the idea of genre comes in.

What Is Genre?

genre

\ ˈzhän-rə

, ˈzhäⁿ-; ˈzhäⁿr; ˈjän-rə \
1 : a category of artistic, musical, or literary composition characterized by a particular style, form, or content a classic of the gothic novel genre
2 : kind, sort
3 : painting that depicts scenes or events from everyday life usually realistically

Genre comes from the French word for “kind” or “type.” In rhetoric, genre refers to categories of texts.

The definition above focuses mostly on artistic pursuits: literature, music, art. But rhetoric studies have identified certain types of texts or arguments that we find again and again.

Genres are recognizable forms of writing that respond to repeating situations.

Genres are established types of texts that have been named. They are recognizable because they address rhetorical situations that regularly occur. For example, invitations are a genre of writing. So are magazine articles, academic essays, novels, text messages, textbooks, reports, and even literacy narratives.

If a certain type of writing situation happens again and again, then certain types of writing come into existence to respond to that specific situation

Consider the Five-Paragraph Essay

The five-paragraph essay is a form that many high school students learn as the way to write an essay. But there is nothing natural or even official about that essay. Instead, it is a genre of writing, and it came about because of a specific situation that reoccurred again and again that created a repeated need:

  • Students needed to write to show mastery of language, especially on standardized tests
  • Teachers needed a clear way to help students fulfill the requirements for those tests

Does the five-paragraph essay work in certain situations, like the state tests most K-12 students take each year? Absolutely.

Is it the only kind of essay you can write? Nope. Not even close.

Is it appropriate for college-level work? That depends…on a lot of factors, including the expectations of the professor (audience).

The five-paragraph essay is a genre of writing, specifically a genre of essays.

Why Should I Care About Genre?

Genres are helpful because they help writers by giving a limited area to aim for, which creates a better chance of success. Each writing situation might be unique, but chances are it also fits within one of the types or categories of rhetorical situations that other writers have already addressed and mastered.

Genres Are Flexible Maps, Not Hard-and-Fast Rules

It is important to remember that genres are not inflexible rules for writing. Instead, genres should be considered flexible maps. They can guide your choices, but each choice you make should be based on your specific rhetorical situation.

Think about that five-paragraph essay. It should serve as a roadmap to develop an essay, but if you write an essay following it as a very strict, immovable set of rules, your writing will likely feel stilted, stiff, and incomplete. This doesn’t mean your earlier teachers were wrong, though. As you progress through your education, you should be encountering more sophisticated and complex ideas. It only makes sense that your writing would also become more flexible and sophisticated as well.

As you progress through this course, and through your college career, your job is to remain conscious and aware of new writing challenges. How can the genres you already know be applied to new assignments? What are the limitations of what you learned in high school?

Analyzing  Genres

Maybe you were a master of the five-paragraph essay. Maybe you know exactly where the thesis statement should go or how to transition between point #1 and point #2. That knowledge likely served you very well in high school, but you may struggle to adapt it to college writing. After all, how can you use the five-paragraph essay when you’re being asked to write a seven-page essay?

Understanding how to approach, analyze, and deploy new genres is always more important than memorizing a list of “requirements.”

Remember what we already said: genres are flexible roadmaps. They’re frameworks that you can use and manipulate to the needs of your specific rhetorical situation. Genres are guides; they are not Mad Lib forms, where you simply fill in the blank and call it a day.

As you work on the assignments in this course and as you work on new types of writing throughout your academic and professional career, it will be essential for you to be able to analyze and understand new genres. Understanding how to figure out the criteria and general conventions of a genre is an important skill that you can learn far beyond your composition course. For example:

  • Your boss asks you to write an instructional memo, but you’ve never written a memo before. What do you do?
  • Your sociology professor asks you for a Literature Review. How do you figure out what that is?
  • Your biology class asks for a lab report, but you’ve never written one. What steps can you take to figure out the requirements?
  • You need to write an argumentative research essay in APA format for this class. How do you know if you’ve met the conventions of that genre?

The best way to learn a new genre is to do some research. You’ll want to look at other texts that identify themselves as the same genre and then look for similarities between those texts. Remember, genres are flexible maps. You might look at ten different literacy narratives, and they might all tell their stories in slightly different ways. But maps are maps. You should be able to identify some general features that they all share.

Questions about Situational Elements (Context)1

Remember, we use writing to accomplish things. Different genres will respond to different situational needs. Asking yourself what the situation was that required the text can help you figure that out.

  • What conditions (situations or occasions) call for the genre?
  • What prompts this sort of document to be written?
  • What is the need for a given action or communication?

Questions about Substantive Characteristics (Content)

Each situation calls for specific information and content. An invitation requires a time and place to be mentioned, but it also may require dress code or gift registry information. A research paper requires sources, but depending on the level of research, the source requirements might change.

  • What sort of content (substance) is typically provided by this genre?
  • What do these types of texts talk about or say?
  • What level of detail do these sorts of texts provide?

Questions about Stylistic Characteristics (Form)

Certain genres are more reliant on form than others. A Resumé is a genre that requires a specific and precise format. An invitation generally isn’t written in a paragraph form. An academic essay generally uses complete sentences and paragraphs. Understanding the usual stylistic characteristics can help you avoid frustrating your audience’s expectations.

  • What form does texts of this genre usually take?
  • What do these texts look like? (print, type, block paragraphs, bullets, etc.)
  • How are these texts generally organized? (chronological, emphatic, spatial)
  • What type of language does it use? How formal or flexible is the language use?
  • What tone does this genre usually use? (formal, informal, humorous, serious, etc.)

Questions about the Organizing Principles

By studying multiple examples, you can begin to make some general statements about the genre.

  • What features make this genre what it is?
  • What are the common denominators or characteristics of the genre? (For example: What makes a resume a resume?)
  • Ask yourself, if I took out X characteristic, would the text still be recognizable as that genre?

 

  1. These questions are adapted from Wardle and Downs.

 

 

 

 

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To the extent possible under law, Lisa Dunick has waived all copyright and related or neighboring rights to Readings for Writing, except where otherwise noted.

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