Short Fiction

• “Everyday Use” by Alice Walker (via CommonLit)
• “Home” by Gwendolyn Brooks (via CommonLit)
• “Sweat” by Zora Neale Hurston (via CommonLit)
• “Patriotism” by Mishima (via csun.edu)
• “The Wives of the Dead” by Nathanial Hawthrone (via CommonLit)
• “Time Enough at Last” by Lynn Venable (via Project Gutenberg)
• “A Worn Path” by Eudora Welty” (via The Atlantic)
• “A Rose for Emily” by William Faulkner (via CommonLit)
• “The Curious Case of Benjamin Button” (via Ebscohost – students will need FCC login+pass to access)
• “Beyond the Door” by Phillip K. Dick (via Lumen)
• “The Story of an Hour” by Kate Chopin
• “Young Goodman Brown” by by Nathanial Hawthrone (via Lumen)
• “The Yellow Wallpaper” by Charlotte Perkins Gilman (via Lumen)
• “The Specialist’s Hat” by Kelly Link (via Lumen)
• “The Open Window” by Saki (via Lumen)
• “Peasant Wives” by Anton Chekhov (via Lumen)
• “Where are you Going – Where have you Been?” by Joyce Carol Oates (via NDSU.edu)
• “Mise-en-Scène for a Parricide” by Angela Carter
• “A Good Man is Hard to Find” by Flannery O’Connor (via virginia.edu)
• “The Quiet Boy” by Nick Antosca

Novels

• “The Great Gatsby” by F. Scott Fitzgerald (via Project Gutenberg)
• “The Turn of the Screw” by Henry James (via Project Gutenberg)
• “Frankenstein; Or, The Modern Prometheus” by Mary Wollstonecraft Shelley
  (via Project Gutenberg)
• “Heart of Darkness” by Jospeh Conrad (via Lumen)
• “The Wendigo” by Algernon Blackwood

Scholarship

Note: FCC students will need to use their FCC user+password to access these articles on JSTOR

• “The Huntsmen of Fiction.”  (on J.R.R. Tolkien)
  https://www.jstor.org/stable/45321455
• “Haunted Real Estate: The Occlusion of Colonial Dispossession and Signatures of Cultural Survival in U.S. Horror Fiction” (on dispossession of native lands)
  https://www.jstor.org/stable/41157353
• “Protagonists and Antagonists in the Fiction of Flannery O’Connor”
  http://www.jstor.com/stable/20077931
• “A Peculiarly Southern Form of Ugliness: Eudora Welty, Carson McCullers, and Flannery
  O’Connor”
  https://www.jstor.org/stable/20078381
• “EXPERIENCING FLANNERY O’CONNOR’S ‘A Good Man Is Hard To Find'”
  https://www.jstor.org/stable/23241513
• “An Unconscious Obsession” (on O’Connor)
  https://www.jstor.org/stable/10.2307/26671083
• “‘Where Are You Going, Where Have You Been?’ and Cold War Hermeneutics”
  https://www.jstor.org/stable/40039873
• “‘Don’t You Know Who I Am?’: The Grotesque in Oates’s ‘Where Are You Going, Where
  Have You Been?'”
  https://www.jstor.org/stable/30225993
• “MALE AND FEMALE MYSTERIES IN ‘THE YELLOW WALLPAPER'”
  https://www.jstor.org/stable/25679011
• “Environment as Psychopathological Symbolism in “‘The Yellow Wallpaper'”
  https://www.jstor.org/stable/27747980
• “‘The Yellow Wallpaper'” and Women’s Discourse”
  https://www.jstor.org/stable/463709
• “Doctoring ‘The Yellow Wallpaper'”
  https://www.jstor.org/stable/30032030
• “The Logic of Wings: Gabriel Garcia Marquez and Afro-American Literature”
  http://www.jstor.com/stable/20119392
• “Queer Gothic: Angela Carter and the lost narratives of sexual subversion”
  https://www.jstor.org/stable/41555969
• “Lizzie Borden Took an Axe: History, Feminism and American Culture”
  https://www.jstor.org/stable/40642497
• “Fantasy and Reality in the Death of Yukio Mishima”
  https://www.jstor.org/stable/23539389
• “Mishima Yukio and His Suicide”
  https://www.jstor.org/stable/311983
• “The Bloody Spectacle: Mishima, The Sacred Heart, Hogarth, Cronenberg, and the
  Entrails of Culture”
  https://www.jstor.org/stable/23413959
• “Frankenstein: Creation as Catastrophe”
  https://www.jstor.org/stable/462130
• “Frankenstein and the Feminine Subversion of the Novel”
  https://www.jstor.org/stable/463717
• “Mary Shelley, Frankenstein, and the Spectacle of Masculinity”
  https://www.jstor.org/stable/462596
• “Feminist Fantasies: Zora Neale Hurston’s ‘Their Eyes Were Watching God'”
  https://www.jstor.org/stable/464063
• “MARRIAGE: ZORA NEALE HURSTON’S SYSTEM OF VALUES”
  https://www.jstor.org/stable/44329351
• “WHAT GOES AROUND COMES AROUND: CHARACTERIZATION, CLIMAX, AND CLOSURE
  IN HURSTON’S “‘SWEAT'”
  https://www.jstor.org/stable/26434443

LICENSES AND ATTRIBUTIONS
CC LICENSED CONTENT, ORIGINAL and REMIXED

• Content from the unpublished Blackboard site of Bryan Hiatt. CC BY: Attribution