COPYRIGHT ESSENTIALS
Part II: Copyright References
ALCOR FUND. “Idea Generation – Techniques, Tools, Examples, Sources And Activities.” Accessed December 5, 2023. https://alcorfund.com/insight/idea-generation-2/.
“Campbell v. Acuff-Rose Music, Inc.” In Wikipedia, September 27, 2023. https://en.wikipedia.org/w/index.php?title=Campbell_v._Acuff-Rose_Music,_Inc.&oldid=1177498083.
Challis, Ben. “The Song Remains the Same: A Review of the Legalities of Music Sampling,” November 2009. https://www.wipo.int/wipo_magazine/en/2009/06/article_0006.html.
“Content ID for Music Partners – YouTube Help.” Accessed November 28, 2023. https://support.google.com/youtube/answer/2822002?hl=en.
Cox, Krista L. “Takedowns Over Classical Composers Highlight Problems Of Automated Content Filtering – Above the Law,” October 4, 2018. https://abovethelaw.com/2018/10/takedowns-over-classical-composers-highlight-problems-of-automated-content-filtering/.
“Drake Beats Appeal in ‘Pound Cake’ Sample Lawsuit.” Accessed November 15, 2023. https://variety.com/2020/biz/news/drake-beats-appeal-pound-cake-jimmy-smith-sample-lawsuit-1203491336/.
“Fair Use: The Four Factors – University Library News.” Accessed November 15, 2023. https://blog.library.gsu.edu/2016/02/23/50438/.
Forshee, Zane, Christina Manceor, and Robin McGinness. The Path to Funding: The Artist’s Guide to Building Your Audience, Generating Income, and Realizing Career Sustainability. The Peabody Institute of The Johns Hopkins University, 2022. https://pressbooks.pub/pathtofunding/.
Harding, Scharon. “Sony Is Erasing Digital Libraries That Were Supposed to Be Accessible ‘Forever.’” Ars Technica, February 8, 2024. https://arstechnica.com/culture/2024/02/funimation-dvds-included-forever-available-digital-copies-forever-ends-april-2/.
Howard, Jacinta. “The Truth About Sampling, Credits, and Who Gets Paid.” Accessed February 20, 2024. https://rockthebells.com/articles/the-truth-about-sampling-credits-and-who-gets-paid/.
Kravets, David. “Online Market for Pre-Owned Digital Music Hangs in the Balance.” Wired. Accessed November 20, 2023. https://www.wired.com/2012/02/pre-owned-music-lawsuit/.
Legal Information Institute. “17 U.S. Code § 106 – Exclusive Rights in Copyrighted Works.” LII / Legal Information Institute. Accessed August 8, 2023. https://www.law.cornell.edu/uscode/text/17/106.
———. “17 U.S. Code § 107 – Limitations on Exclusive Rights: Fair Use.” LII / Legal Information Institute. Accessed November 15, 2023. https://www.law.cornell.edu/uscode/text/17/107.
———. “17 U.S. Code § 110 – Limitations on Exclusive Rights: Exemption of Certain Performances and Displays.” LII / Legal Information Institute. Accessed November 20, 2023. https://www.law.cornell.edu/uscode/text/17/110.
———. “U.S. Constitution Annotated.” LII / Legal Information Institute. Accessed August 15, 2023. https://www.law.cornell.edu/constitution-conan/article-1/section-8/clause-8.
Leval, Pierre. “Toward a Fair Use Standard.” Harvard Law Review 103, no. 5 (1990): 1105–36. https://www.jstor.org/stable/1341457.
Levine, Robert. “Steal This Hook? D.J. Skirts Copyright Law.” The New York Times, August 6, 2008, sec. Arts. https://www.nytimes.com/2008/08/07/arts/music/07girl.html.
Los Angeles Times. “Column: Consumer Deception? That ‘Buy Now’ Button on Amazon or iTunes May Not Mean You Own What You Paid For,” October 19, 2016. https://www.latimes.com/business/hiltzik/la-fi-hiltzik-buy-now-20161019-snap-story.html.
Music Library Association. “Statement on the Digital Transmission of Audio Reserves – Copyright for Music Librarians.” Accessed November 20, 2023. https://copyright.wp.musiclibraryassoc.org/digital-transmission-of-audio-reserves/.
Ohio State University Libraries. “Five Common Fair Use Myths,” February 22, 2023. http://library.osu.edu/news/five-common-fair-use-myths.
Oswald, John. “Plunderphonics, or Audio Piracy as a Compositional Prerogative.” Toronto, 1985. https://www.plunderphonics.com/xhtml/xplunder.html.
Raymundo, Oscar. “Bruce Willis Did Not Sue Apple This Week.” Rolling Stone (blog), September 5, 2012. https://www.rollingstone.com/culture/culture-news/bruce-willis-did-not-sue-apple-over-his-itunes-library-186714/.
“Section 115 – Notice of Intention to Obtain a Compulsory License | U.S. Copyright Office.” Accessed November 27, 2023. https://www.copyright.gov/licensing/sec_115.html.
Thomas, Kimber. “Copyright and Racism.” Accessed December 4, 2023. https://docs.google.com/presentation/d/1raBmfpekZH51cXpgYHwYcSES_0GTJ8RdPOkNOOTuM1k.
“Timeline 18th Century | U.S. Copyright Office.” Accessed August 8, 2023. https://www.copyright.gov/timeline/timeline_18th_century.html.
Trendacosta, Katharine. “Unfiltered: How YouTube’s Content ID Discourages Fair Use and Dictates What We See Online.” Electronic Frontier Foundation, December 10, 2020. https://www.eff.org/wp/unfiltered-how-youtubes-content-id-discourages-fair-use-and-dictates-what-we-see-online.
United States Copyright Office. “Circular 1 Copyright Basics,” Copyright Circulars, September 2021. https://www.copyright.gov/circs/circ01.pdf.
United States Copyright Office. “Sampling-Interpolations-Beat-Stores-and-More-An-Introduction-for-Musicians-Using-Preexisting.Pdf.” Washington, DC. Accessed November 15, 2023. https://www.copyright.gov/music-modernization/educational-materials/Sampling-Interpolations-Beat-Stores-and-More-An-Introduction-for-Musicians-Using-Preexisting.pdf.
Zaller Rowland, Catherine. “Promoting Progress: Celebrating the Constitution’s Intellectual Property Clause | Copyright.” Copyright:Creativity at Work. The Library of Congress, September 17, 2020. https://blogs.loc.gov/copyright/2020/09/promoting-progress-celebrating-the-constitutions-intellectual-property-clause.