Primary Navigation
Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.
Book Contents Navigation
Introduction
Review: Key Signatures
Review: Scales and Solfège Syllables
Review: Intervals
Review: Types of Triads
Review: Diatonic Triads in Major
Review: Diatonic Triads in Minor
Review: Chord Inversions and Figured Bass
Review: Notation
Review: Beat, Rhythm, and Meter
1. Harmony in Four Voices
2. Connecting Primary Triads in Root Position
3. Techniques to Enhance the Soprano
4. Dominant Seventh Chord in Root Position
5. Cadential Six-Four Chord
6. Primary Triads in First Inversion
7. Secondary Triads in Root Position
8. Inversions of the Dominant Seventh Chord
9. Secondary Triads in First Inversion
10. Linear Six-Four Chords
11. Authentic, Half, Plagal, and Deceptive Cadences
12. Mixed Spacing
13. Diatonic Seventh Chords
14. Leading Tone Seventh Chord
15. Diatonic Sequences
16. Diatonic Harmony Summary
Diatonic Interval Drills - Major
Diatonic Interval Drills - Minor
Diatonic Melodic Drills - Major
Diatonic Melodic Drills - Minor
Diatonic Melodic Drills - La Minor
Play and Sing 1 - Primary Triads and Cadence Formulas
Play and Sing 2 - Primary and Secondary Triads in Root Position
Play and Sing 3 - Primary Triads in First Inversion
Play and Sing 4 - The Dominant Seventh and its Inversions
Diatonic Melodies 1
Diatonic Melodies 2
Diatonic Melodies 3
Diatonic Melodies 4
Diatonic Melodies 5
Diatonic Canons
Diatonic Two-Part Examples
Diatonic Sequential Broken Chord Drills
Diatonic Sequential Broken Chord Drills with Seventh Chords
Chromatic Harmony
17. Common Chord / Pivot Chord Modulation
18. Modal Borrowing
19. Secondary Dominants
20. Deceptive Resolutions of Secondary Dominants
21. Secondary Diminished Seventh Chords and Leading Tone Chord
22. Chromatic Sequences
23. Augmented Triads and the Augmented Dominant Seventh Chord
24. Embellishing Diminished Seventh Chords
25. Neapolitan Chord
26. Augmented Sixth Chords
27. The French 6th as a Dominant Chord
28. Chromatic Deceptive Resolutions
29. Enharmonic Modulation and Other Types of Modulation
30. The Development of 9th, 11th, and 13th Chords
Chromatic Interval Drills - Major
Chromatic Interval Drills - Minor
Chromatic Sequential Broken Chord Drills
Play and Sing 1: Secondary Dominants
Play and Sing 2: Neapolitan Chords
Play and Sing 3: Augmented Sixth Chords
Chromatic Melodies 1
Chromatic Melodies 2
Chromatic Melodies 3
Chromatic Canons
Chromatic Two-Part Examples
Subdivision of the Beat into Two Parts
Subdivision of the Beat into Four Parts
More Advanced Rhythms
Introduction to 20th Century Music
31. Pentatonic Music
32. Pentatonic Music - Musicianship
33. Modal Music
34. Modal Music - Musicianship
35. Symmetrical and Non-traditional Scales
36. Scales - Musicianship
37. 20th Century Compositional Techniques
Introduction to Jazz
38. The Tonic, Subdominant, and Dominant Families as Tall Chords
39. Voicings of the Tonic, Dominant, and Subdominant Chords in Jazz
40. ii7 – V7 – Imaj7 in Jazz
41. ii7 – V7 – Imaj7 in Jazz: Variants of the Tonic Triad
42. ii7 – V7 – I7 in Jazz: 9th Chord Voicings
43. ii7 – V7 – I7 in Jazz: Dominant Extensions
44. Perfect Circle of Fifths Sequence with Dominant 9ths and 13ths
45. Ear Training Drills for Jazz
46. Form in Jazz Standards
47. Short Progressions and Turnarounds - Major Keys
48. Short Progressions and Turnarounds - Minor Keys
49. The Blues
Nonharmonic Tones
Phrases, Periods, and Forms
Motion Between Voices
Errors in Four-Part Writing
Guidelines for Doubling in SATB Writing
The Alto and Tenor Clefs
Figured Bass and Commercial Chord Symbols
Steps to Harmonizing a Figured Bass
How to Learn to Sing a Melody
Techniques for Creating a Melody
Steps to Harmonizing a Soprano Melody
Harmonic and Formal Analysis
Introduction to Two-Part Counterpoint
Compositional Textures Based on SATB
Terminology
Index
1.
The above example, realized in 3 voices:
2.
3.
Previous/next navigation
Harmony and Musicianship with Solfège Copyright © by Laszlo Cser and Daniel Wanner. All Rights Reserved.