20 Deceptive Resolutions of Secondary Dominants

Secondary dominants occasionally imitate the V(7) vi^3_3 deceptive resolution (see the chapter on the deceptive resolution).

 

A. Review of the Diatonic Deceptive Resolution

The chromatic secondary dominant deceptive resolutions are modeled on the diatonic deceptive resolution.

 

 

B. Deceptive Resolutions of Secondary Dominants Based on V7 – vi ^3_3

The secondary dominants resolve to the chord a step above with a doubled 3rd.

Major Minor
V7/V – iii ^3_3 V7/IV – ii ^3_3 V7/V – III ^3_3
V7/vi – IV ^3_3 V7/iii – I ^3_3

 

 

 

In minor, V7/V – III ^3_3 is possible:

 

 

C. Deceptive Resolutions of Secondary Dominants Based on V7 – IV6

Also possible is a deceptive resolution based on V7 – IV6  in the secondary key.

 

 

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Harmony and Musicianship with Solfège Copyright © by Laszlo Cser and Daniel Wanner. All Rights Reserved.

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