The tempos of the illustrations below are for study purposes. Once comfortable with the melody, sing in an appropriate tempo.

Functional Chromaticism

Chromaticism Implying Secondary Dominants and Secondary or Embellishing Diminished Seventh Chords

14.

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29.

Chromaticism Involving a Change of Mode

30.

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Also touches upon the Hungarian minor scale (la, ti do ri mi fa si la). See the chapter on Non-traditional Scales.

Extensive Chromaticism

Sing both in do-minor and la-minor.

33.

Diatonic Melody with Chromatic Harmonization

34.