The tempos of the illustrations below are for study purposes. Once comfortable with the melody, sing in an appropriate tempo.

Modulations

To the Key of the Dominant

35.

36.

37.

38.

39.

40.

41.

42.

43.

To the Key of the Relative Minor*

*When using la-minor, no syllable change is necessary.

44.

To the Key of the Relative Major*

*When using la-minor, no syllable change is necessary. (In la-minor the Neapolitan triad is te – re – fa.)

45.

To the Key of the Mediant

46.

To the Key of the Subdominant and Supertonic

47.

To a Distant Key Employing Enharmonic Modulations

48.

(From D major to A major and back to D major)