Harmonic and Formal Analysis

Analyzing Tonal Music

 

When analyzing tonal music, identify the following:

  • The key, written below the staff (use upper case letters to indicate a major key and lower case letters to indicate a minor key)

  • Cadences at the end of phrases and sections (for example: PAC or HC)

  • Roman numerals for each chord, written below the staff

  • Commercial chord symbols, written above the staff (commercial chord symbols always use upper case letters and a small “m” is used to indicate a minor chord)

  • Modulations, including identifying the modulatory device used

  • Nonharmonic tones

  • Types of phrases and periods used

  • Harmonic rhythm

  • Motives

  • Overall form

 

Identifying Chromatic Notes

 

When analyzing music, there are several possible sources for chromatic notes:

  1. Chromatic passing tones, neighbor tones, and appoggiaturas

  2. The raised leading tone in harmonic minor (ti), and raised 6th and 7th (la, ti) in melodic minor

  3. Chord members of modally borrowed chords in major (le, te, me) and Picardy 3rd (mi) in minor

  4. Chord members of secondary dominants or diminished sevenths, appearing as raised secondary leading tones or lowered 7ths

  5. Chord members of augmented triads in major (di, ri, si)

  6. The Neapolitan chord (ra)

  7. Chord members of the augmented sixth family (le and fi)

 

 

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Harmony and Musicianship with Solfège Copyright © by Laszlo Cser and Daniel Wanner. All Rights Reserved.

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