Harmonic and Formal Analysis
Analyzing Tonal Music
When analyzing tonal music, identify the following:
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The key, written below the staff (use upper case letters to indicate a major key and lower case letters to indicate a minor key)
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Cadences at the end of phrases and sections (for example: PAC or HC)
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Roman numerals for each chord, written below the staff
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Commercial chord symbols, written above the staff (commercial chord symbols always use upper case letters and a small “m” is used to indicate a minor chord)
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Modulations, including identifying the modulatory device used
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Types of phrases and periods used
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Motives
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Overall form
Identifying Chromatic Notes
When analyzing music, there are several possible sources for chromatic notes:
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Chromatic passing tones, neighbor tones, and appoggiaturas
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The raised leading tone in harmonic minor (ti), and raised 6th and 7th (la, ti) in melodic minor
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Chord members of modally borrowed chords in major (le, te, me) and Picardy 3rd (mi) in minor
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Chord members of secondary dominants or diminished sevenths, appearing as raised secondary leading tones or lowered 7ths
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Chord members of augmented triads in major (di, ri, si)
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The Neapolitan chord (ra)
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Chord members of the augmented sixth family (le and fi)
Practice 1
Practice 2
Practice 3